by Tim Page ‧ RELEASE DATE: Oct. 1, 1998
Novelist Dawn Powell is rediscovered in a kindly biography that also recalls the hard- drinking literati of Greenwich Village in the decades surrounding WWII. Powell came to New York City from Ohio in 1918. She left behind a scattered and troubled family who were the core of her most successful novels, including the popular My Home Is Far Away, published in 1944. What set Powell apart from the thousands of other eager and determined young people who invaded Manhattan was a sharp wit and an eye for character that was both humane and unflinching. On her arrival in the city, Powell took a series of rent-paying jobs (including a brief stint in the US Navy as a “Yeomanette”), but her writing began selling almost immediately. She also soon met and married advertising executive Joseph Gousha. Although Joe was an alcoholic and Dawn had frequent, albeit for the most part ephemeral, affairs, the marriage lasted 42 years, until Joe’s death. Their only child, Joseph Jr., called JoJo, was autistic, requiring constant attention, hospitalization, and eventually institutionalization. None of this kept Powell from writing—novels, short stories, articles, poems, and plays. Or plunging virtually nightly into the watering holes of Greenwich Village, where she held her own with contemporaries such as John Dos Passos (a good friend), and Gerald and Sara Murphy. Her novels received uneven reviews and for the most part mediocre sales, although she was regarded by critic Edmund Wilson and later Gore Vidal as one of the distinguished authors of her time. She died in 1965 and was buried in a pauper’s grave. A 1987 article by Vidal, published in the New York Review of Books, revived interest in her work and spurred biographer Page (a Pulitzer- winning music critic for the Washington Post and editor of a volume of Powell’s diaries); reprints of most of her novels are now available. Unconvincing in placing Powell at the forefront of mid-century authors, but gratifying to aficionados of New York City literary mores.
Pub Date: Oct. 1, 1998
ISBN: 0-8050-5068-X
Page Count: 348
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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