SELECTED LETTERS OF DAWN POWELL, 1913-1965

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SELECTED LETTERS OF DAWN POWELL, 1913-1965

Name: SELECTED LETTERS OF DAWN POWELL, 1913-1965
Author: Tim Page
ISBN: 0-8050-5364-6

edited by Tim Page ‧ RELEASE DATE: Oct. 19, 1999

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Witty, dishy, trenchant reports by novelist and short-story writer Powell to an array of correspondents, ranging from a young grandniece to Edmund Wilson, John Dos Passos, and Gerald and Sara Murphy. This collection begins with a teenage Powell’s charming 1913 letter to her guardian/aunt, away on a trip, catching Aunt Orpha up on all the home doings, including Powell’s efforts to make a peach pie and her new duties as editor in chief of the high school paper (“I need the experience if I intend to pursue a journalistic career.”). It ends with a letter to her adult nephew and friend, written less than a month before her death, but still full of news of theater, literature, and the foibles of friends. Powell was born and grew up in the Midwest but moved to New York City and established herself in the Greenwich Village of the 1920s and “30s, eating, drinking, and partying with famous and not so famous writers, musicians, and artists, as well as their patrons, editors, and publishers. She was no hanger-on, but a prolific and sometime successful author of novels about the contemporary New York scene (including post-WWII), as well as stories set in the Midwest of her childhood; for a time, Max Perkins was her editor. Her output also included plays, film treatments, short stories, magazine articles, and this voluminous correspondence, only part of which has survived. Devoted to her husband (although it appears she had at least one passionate extramarital affair) and her autistic son, in these letters, Powell reveals only a portion of the pain she suffered in raising her child. Editor Page (a Pulitzer Prize—winning music critic) seems to have made Dawn Powell his life’s work: he has written a biography, edited her diaries, and successfully crusaded for the resurrection of her novels (most are again in print). If these pungent and brave letters are any indication, her novels are well worth a read.

Pub Date: Oct. 19, 1999

ISBN: 0-8050-5364-6

Page Count: 448

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

Categories:

GENERAL NONFICTION

- BOOK REVIEW
PARALLEL PLAY
by Tim Page

- BOOK REVIEW
THE UNKNOWN SIGRID UNDSET
by Sigrid Undset & edited by Tim Page & translated by Tiina Nunnally

- BOOK REVIEW
DAWN POWELL
by Tim Page

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.