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SHEAR

More sunlit suspense with a difference from the British author of Juggling the Stars (1993). Here, a geologist turns sleuth in Greece while coping with his midlife crisis. Quartz and feldspar, phenocrysts and microfractures—the novel bristles with the language of geology. Peter Nicholson is a 40- year-old London geologist visiting a Greek island quarry. His clients, Australian developers of office space in Sydney, are suing their Greek granite supplier and want ``something really damning'' in his report on quarry procedures and conditions. Expecting to mix pleasure with business, Peter has brought along Margaret, a 22- year-old student he loves enough to contemplate deserting his wife and children. He hopes the exotic locale will seal his future with Margaret, but the picture is complicated by his wife's fax announcing another pregnancy and by his impulsive bedding of Thea, the quarry director's beautiful daughter. Apparently Peter is testing his ``resistance to shear'' to see if he'll crack like the defective stone sent to Australia. (Parks rides the geological metaphor hard throughout.) His game of chicken is interrupted by Mrs. Owen, widow of a worker killed on the construction site, here to exact revenge and enlist Peter's help. Her disappearance, followed by the theft of his report, persuades him a sinister company cover-up is under way. Displaying an integrity not seen in his relationships, Peter confronts the director and does his own detective work in a tense finale. Underneath the noise Parks is asking a provocative question: Are our partners unique? His characters exemplify different answers. For Thea men are interchangeable, but Mrs. Owen mourns her husband as ``irreplaceable.'' Peter is confused, hence his crisis. Meanwhile, these characters are also players in a suspense game. It's a complicated scheme, and Parks handles the suspense better than the relationships, never quite getting a fix on Peter. Flawed but provocative work from an always interesting writer.

Pub Date: July 1, 1994

ISBN: 0-8021-1552-7

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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