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HEARTBREAK HILL

THE ANATOMY OF A RYDER CUP

An uneven and frequently arcane account of last year's dramatic Ryder Cup golf tournament. The Ryder Cup—a biannual tournament pitting an American team against an elite European squad—has in recent years grown from a virtual afterthought to one of the game's premier events. Last September, at the Oak Hill course in Rochester, N.Y., the American team nursed a sizable lead going into the final day of play, only to see it slip away to a European squad that mounted one of the game's truly great comebacks. Unlike most golf tournaments, which appeal mainly to players and fans, this Ryder Cup had something for everyone: high-pressure play and high stakes; flag-waving patriotism and international intrigue; and ample human drama, including the gut-wrenching story of Curtis Strange, a usually steady golfer experiencing hard times. His three consecutive bad holes on the last afternoon of play allowed the European side to surge ahead. Unfortunately, author Rosaforte (a senior writer for Sports Illustrated) makes poor use of this material, most notably by offering sloppy analogies to explain the obvious, such as why a tie (a result that favors the defending champion) is ``like kissing your sister'' when ``your sister is Cindy Crawford,'' while allowing less obvious golf phenomena to go unexplained, such as why a shot ``189 yards from the front of the green, uphill, into a left-to-right quartering breeze'' would call for a 3-iron. And the text is littered with ham-fisted phrases such as ``neither man dared to blink, the Spanish bullfighter or the bull from Minnesota'' (describing Sunday's match between Seve Ballesteros and Tom Lehman). A dramatic contest that should have been of interest to nongolfers is put out of reach of all but the most devoted hackers. (8 pages photos, not seen) (Author tour)

Pub Date: June 14, 1996

ISBN: 0-312-14351-6

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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