An eye-opening look at the use of tax-subsidized money by private philanthropy.
How the Gates Foundation acts “a great deal more like Microsoft than Mother Theresa” and why that matters.
As investigative journalist Schwab demonstrates in his debut book, Microsoft billionaire Bill Gates has been mythologized as the ultimate good guy, albeit often by the very media and political outlets he has funded through his philanthropic ventures. However, the author argues convincingly that “the Gates Foundation is a nonprofit, tax-privileged charity that is acting like a private equity investor, venture capital fund, or a pharmaceutical company.” For example, the foundation “has positioned itself to see the confidential business information of competing companies” and asks charitable partners to give it licensing claims to their technology. Furthermore, Schwab notes, Gates poured his greatest sums into the foundation during two periods when he most needed positive publicity: during the investigations into Microsoft as a possible monopoly, and a spell when Gates’ personal life was in the spotlight. The author is most troubled by the lack of transparency in the U.S. involving not just Gates, but also the increasing number of billionaires with private foundations. These organizations are not held to the same transparency standards as public companies, government agencies, or political actors. This is true even though tax breaks mean that some 50% of every dollar spent by foundations like Gates’ is “public money.” Schwab sends a clear message to legislators that they must begin regulating the foundations they have left comparatively unexamined since the 1960s. “Our democracy is only as strong as we allow it to be and only as accountable as we force it to be,” he writes. Though the author extends his reach beyond Gates, he always returns to him, as “it would be difficult to name a more powerful, less scrutinized political actor than the Gates Foundation.”
An eye-opening look at the use of tax-subsidized money by private philanthropy.Pub Date: Nov. 14, 2023
ISBN: 9781250850096
Page Count: 496
Publisher: Metropolitan/Henry Holt
Review Posted Online: Sept. 1, 2023
Kirkus Reviews Issue: Oct. 1, 2023
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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