A sterling example of why investigative journalists are valuable during an era of deep, broad and unconscionable government...
Private corporations employing former high-ranking federal government and military officials are making huge profits from secret contracts with the CIA, NSA and various baronies in the Defense Department, avers freelance journalist Shorrock.
In his first book, the author penetrates the covert worlds of corporations with names like CACI International Inc., Mantech International and Booz Allen Hamilton, as well as government agencies spending tens of billions of taxpayer dollars with no accountability. Dozens of previous titles have examined U.S. failures of information collection and analysis, especially leading up to and after 9/11. Shorrock excavates new dirt by focusing on the business of intelligence: the bottom line in dollars at the private corporations that win government contracts, often without competitive bidding or even public disclosure. The author does a remarkable job of learning as much as he can: gaining entry into conventions of defense contractors usually closed to journalists; sitting through the hearings of congressional committees whose members are regularly stonewalled by the government agencies they are supposed to oversee; reading through partially declassified documents. Peppered with acronyms, descriptions of highly technical hardware and hundreds of unfamiliar names both corporate and human, the book can be difficult to read, but Shorrock’s prose is lucid, his passionate brief for open government inspiring. Occasionally, he describes fiascoes already known to the public, such as the nasty interrogation techniques at Abu Ghraib, that illuminate the shadowy role of private corporations performing highly profitable contracted duties once handled by government employees. Shorrock forcefully makes the case that only members of Congress, ostensibly accountable to the citizens who elected them, can halt the inefficiencies and occasional outright financial corruption emanating from the private contractor/intelligence agency nexus.
A sterling example of why investigative journalists are valuable during an era of deep, broad and unconscionable government secrecy.Pub Date: May 1, 2008
ISBN: 978-0-7432-8224-6
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
Asante is a talented writer, but his memoir is undernourished.
A young black man’s self-destructive arc, cut short by a passion for writing.
Asante’s (It’s Bigger than Hip-Hop, 2008, etc.) memoir, based on his teenage years in inner-city Philadelphia, undoubtedly reflects the experiences of many African-American youngsters today in such cities. By age 14, the author was an inquisitive, insecure teen facing the hazards that led his beleaguered mother, a teacher, to warn him, “[t]hey are out there looking for young black boys to put in the system.” This was first driven home to Asante when his brother received a long prison sentence for statutory rape; later, his father, a proud, unyielding scholar of Afrocentrism, abruptly left under financial strain, and his mother was hospitalized after increasing emotional instability. Despite their strong influences, Asante seemed headed for jail or death on the streets. This is not unexplored territory, but the book’s strength lies in Asante’s vibrant, specific observations and, at times, the percussive prose that captures them. The author’s fluid, filmic images of black urban life feel unique and disturbing: “Fiends, as thin as crack pipes, dance—the dancing dead….Everybody’s eyes curry yellow or smog gray, dead as sunken ships.” Unfortunately, this is balanced by a familiar stance of adolescent hip-hop braggadocio (with some of that genre’s misogyny) and by narrative melodrama of gangs and drug dealing that is neatly resolved in the final chapters, when an alternative school experience finally broke through Asante’s ennui and the murderous dealers to whom he owed thousands were conveniently arrested. The author constantly breaks up the storytelling with unnecessary spacing, lyrics from (mostly) 1990s rap, excerpts from his mother’s journal, letters from his imprisoned brother, and quotations from the scholars he encountered on his intellectual walkabout in his late adolescence. Still, young readers may benefit from Asante’s message: that an embrace of books and culture can help one slough off the genuinely dangerous pathologies of urban life.
Asante is a talented writer, but his memoir is undernourished.Pub Date: Aug. 20, 2013
ISBN: 978-0-8129-9341-7
Page Count: 272
Publisher: Spiegel & Grau
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
The collected "pieces" of the author of Go Tell It on the Mountain form a compelling unit as he applies the high drama of poetry and sociology to a penetrating analysis of the Negro experience on the American and European scene.
He bares the brutal boners of "everybody's protest novel" from Stowe to Wright; points out that black is "devil-color" according to Christian theology and to "make white" is thus to save; reveals the positive base of Carmen Jones, movie version, as Negroes are white, that is, moral. Beyond such artistic attitudinal displays lie experimental realities: the Harlem Ghetto with its Negro press, the positive element of which tries to emulate the white press and provides an incongruous mixture of slick style and stark subject; the Ghetto with its churches and its hatred of the American reality behind the Jewish face (from which, as sufferers, so much was expected). There is a trip to Atlanta for the Wallace campaign and indignities endured; there is a beautiful essay, from which the book takes its title- of father and son and the corroding power of hate as it could grow from injustice. In Europe, there is the encounter of African and American Negro; a sojourn in jail over a stolen sheet; and last, the poignant essay of the first Negro to come to a remote Swiss village, to be greeted as a living wonder. This is not true in America, where he has a place, though equivocal, in our united life.
The expression of so many insights enriches rather than clarifies, and behind every page stalks a man, an everyman, seeking his identity...and ours. Exceptional writing.
Pub Date: Nov. 10, 1955
ISBN: 0807064319
Page Count: -
Publisher: Beacon Press
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Nov. 1, 1955
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