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GREEN RIVER RISING

A debut thriller set in a Texas prison by a young British psychiatrist who has never been to Texas, or to a prison. Nevertheless, the book's description of life in Green River, a mythical maximum security prison, is frighteningly convincing. The plot, however, is action-movie simple. A once-idealistic warden causes a race riot to shake up the corrupt system. This happens to take place the day before Ray Klein, a marshal-arts-obsessed doctor who was set up on rape charges, is due out on parole. Worse yet, the love of his life, a tough-as-nails visiting forensic psychiatrist, is trapped in the AIDS ward, and Klein must find a way to save his damsel in distress, as well as his adopted patients, before they are killed by the bad guys—an all-star team of white psychopaths. Klein does this with the help of his colorful sidekicks, most of whom are equally innocent men unjustly forced into prison by the cruel world. These sidekicks are all cut from the best-supporting-actor mold: the simple-minded giant, the sensitive black boxer, the gruff but caring lifer. Just to show that he is no mere schlock writer, Willocks then mixes in some watered-down and bombastic Foucault-sounding pontification on good and evil, discipline and punishment, and death and dying. But don't worry—brutal violence is always just a page away. In Willocks's prison, everything comes down to the good versus the bad, literally black versus white, with the blacks being good and the whites bad. But forceful writing somehow pulls the plot along, and, despite all of its flaws, including the silly and improbable sex scenes, Green River Rising is a fierce read. Realize that you are ingesting gobs of junk artfully disguised as gourmet fare, then dive in and enjoy. (First serial to Granta; film rights to Alan J. Pakula/Warner Bros.)

Pub Date: Oct. 26, 1994

ISBN: 0-688-13571-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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CUTTING FOR STONE

A bold but flawed debut novel.

There’s a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).

The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. “Where but in medicine,” he asks, “might our conjoined, matricidal, patrifugal, twisted fate be explained?” The question is key, revealing Verghese’s intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys’ Ethiopian identity goes unexplored. Shiva is an enigma, though it’s no surprise he’ll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.

A bold but flawed debut novel.

Pub Date: Feb. 6, 2009

ISBN: 978-0-375-41449-7

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MURDER AT THE TAFFY SHOP

The romantic doings of the likable characters are more interesting than the mediocre mystery.

A bike shop owner and her book club pals keep solving mysteries in ways that somehow don’t endear them to the police (Murder on Cape Cod, 2018, etc.).

Mackenzie Almeida, the proprietor of Mac’s Bikes in the touristy Cape Cod town of Westham, is dating Tim Brunelle, the caring and handsome owner of an artisanal bakery, who wants to get married and start a family. That’s not something independent neat freak Mac is ready to do. She enjoys living in her tiny house with Belle, her talkative parrot, for company. When Mac and her best friend, Gin, come across the dead body of wealthy Beverly Ruchart outside Gin’s taffy shop, Mac’s romantic problems get put on the back burner, especially since Gin is a suspect. She and her date, Eli Tubin, the widower of Beverly’s daughter, had attended a party at Beverly’s home only the night before. Beverly seems to have died from a heart attack, but an autopsy finds that she was poisoned with antifreeze, some of which has been planted in Gin’s garage. Of course Mac and her cohorts at the book club can’t resist a little sleuthing. They uncover several other plausible suspects: Beverly’s ne’er-do-well grandson, Ron, his Russian girlfriend, and his long-absent father, who has a police record. Although Beverly could be generous, she had a sharp tongue that made her plenty of enemies. Her interest in genealogy and reuniting long-lost parents and children endeared her to Wesley Farnham, for whom she found a son, but not so much to Farnham’s daughter, who misses being an only child. Although Mac turns her findings over to the police, she still attracts the killer’s notice and ends up owing her life to Belle.

The romantic doings of the likable characters are more interesting than the mediocre mystery.

Pub Date: March 31, 2020

ISBN: 978-1-4967-1508-1

Page Count: 304

Publisher: Kensington

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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