A long, bloody, vastly entertaining story.

THE RELIGION

The heroic stand of the Knights of St. John against the much larger army of Islamic invaders in 16th-century Malta gets epic treatment in the first, fat volume of a projected trilogy.

British psychiatrist, screenwriter and novelist Willocks (Bloodstained Kings, 1998, etc.) portrays Renaissance warfare with gusto, stirring the depravity of the Inquisition into the siege of Malta, where Suleiman the Magnificent has sent his vast armies to obliterate the Knights Hospitaller of St. John, a monastic order with a power base nearly as rich as the pope’s. The story hangs on the broad shoulders of Mattias Tannhauser, son of a German blacksmith, who was abducted and adopted by raiding Moslems, giving him vast insight into both Christian and Moslem viewpoints in the unsettled world of the Mediterranean. Tannhauser is lured to the island fortress by the ravishing Franco-Maltese countess Carla La Penautier, who hopes the currently retired warrior will leave the pleasures of his present life as a Sicilian merchant to locate somewhere in Malta the illegitimate son who was snatched from her when she was 15. Tannhauser, bewitched by Carla, takes on the job, unaware that the missing lad’s father is the brilliant Dominican inquisitor Ludovico Ludovici, himself headed for Malta, for his own evil reasons. Colluding with the supremely cynical Cardinal Michele Ghisleri, Ludovico plans to bring the too-independent Knights permanently to heel, subjecting them to the will of his patron, who will one day be known as Pius V. The two protagonists are plunged into the lopsided battle between the vastly outnumbered Maltese and the supremely confident armies of the Sultan, all the while carrying on their own private battle to the death. Stone walls crumble, war machines rumble, bodies fill the ditches, and once in a while there’s some terrific sex.

A long, bloody, vastly entertaining story.

Pub Date: May 15, 2007

ISBN: 0-374-24865-6

Page Count: 704

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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