Realistic, character-driven fantasy that manages to both sever limbs and warm the heart.
In this dark YA fantasy debut, teenage twins are swept up in a prince’s quest for a legendary blade.
Seventeen-year-old twins Noraya and Owen Smith, the adopted children of a blacksmith named Rannoch, have left their home at the Ridge to cross the Plains. Owen dreams of becoming a pilgrim—a scholarly nomad—while Nora simply wants to escape the path of marriage, children, and boredom. With three weeks of travel ahead and winter approaching, they venture forth and soon meet Master Telen Diaz, a half-wight pilgrim with all-black eyes, who’s escorting the exiled Prince Bashan, the seeker of the Living Blade. Bashan, by using a sword that can “meld with its wielder to unleash a power so great it can change the course of the world,” hopes to take the throne back from his half sister. The Kandarin Empire, meanwhile, is overrun by marauders, and the twins see from the road that the Ridge is burning. Owen continues on with the Hunted Company—which, aside from Diaz, is full of thieves and murderers—to the Temple of the Wind, and Nora returns home. She finds the Ridge a charred wasteland, with everyone she knows dead or enslaved. She always carries a knife that brings her a “Touch of iron” and a “Touch of home,” and, with it, she itches for vengeance. Author Whitecastle’s debut offers a rigorous critique of the mythic-quest fantasy trope, portraying Prince Bashan as a sleazy powermonger who’s willing to burn ancient libraries to get the knowledge he seeks. As the narrative gallops between blood-drenched battles and character-driven stretches, Whitecastle conservatively introduces magical elements, maintaining a grim realism throughout. The dialogue, particularly Nora’s, often seems to wink at modern readers, as when Diaz says that “Wights can endure extreme temperatures,” and Nora replies, “That explains why you’re always so hot.” The many genuinely romantic moments between Diaz and Nora are like breaks of blue sky amid the carnage, which aren’t easily found in this genre. The excellent pacing and organic plotting will bring audiences back for the sequel.
Realistic, character-driven fantasy that manages to both sever limbs and warm the heart.Pub Date: May 13, 2016
ISBN: 978-1-5330-8043-1
Page Count: 354
Publisher: CreateSpace
Review Posted Online: April 16, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A secret history that toys with the mythos of dark academia while reveling in its excesses.
What happens when students at a school for the paranormal decide that enough is enough?
Best known for video games, queer horror, and a collaboration with Richard Kadrey (The Dead Take the A Train, 2023), Khaw detours to visit an elite school and the damaged young adults it serves. At 21, Alessa Li wakes up with a start to find she’s been kidnapped from home in Montreal and apparently enrolled in college, simply because she’s incredibly dangerous. In fact, the Hellebore Technical Institute for the Ambitiously Gifted is less an homage to Hogwarts than a gory rebuttal dressed in wizard’s robes. The story moves between two timelines; the first offers Alessa’s introduction to her creepy classmates, while the second finds them all under siege later in the titular library. “Appendage to the main campus, it acted only in the faculty’s interest, which seemed to revolve exclusively around fucking us students over,” Alessa explains. Among the 20-odd students, cult member Portia transmogrifies into some kind of insectoid critter every now and then; Eoan sacrifices himself by feeding his own body to the school’s ravenous hosts in order to protect his friends; Delilah is an “immortal sacrifice,” dying over and over again in the service of the gods; while Rowan is a “deathworker” whose destiny is foretold by prophecy. There are some intriguing elements—and it’s often hard to take. Like other postmodern antiheroines, among them Chuck Wendig’s Miriam Black (Blackbirds, 2015, etc.) and Julie Crews from The Dead Take the A Train, Alessa’s primary operating mode is pretty much caustic bitch, and her classmates don’t temper it much. Whether the deadpan violence and body horror is excessive is a matter of personal taste, but there’s no denying that the whole thing is pretty squelchy and it’s not always easy to follow. Proceed with caution.
A secret history that toys with the mythos of dark academia while reveling in its excesses.Pub Date: July 22, 2025
ISBN: 9781250877819
Page Count: 288
Publisher: Nightfire
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
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