A coming-of-age story capturing male adolescence in all its disgusting, irrational, and messy glory.
In the summer before high school, a down-on-his-luck outsider turns to the only thing he trusts: his journal.
Miles Lover—or Retard, as his “friends” have dubbed him—hates a lot of things: school, his parents, his younger twin sisters, his old house, his neighbors, bodily functions, death, and seemingly everything in between. He takes too many drugs, drinks too much, and skates too hard. The diary structure—and lack of dated entries—evokes the feeling of endless summer that Miles hates so much. The book meanders and unfolds based on whatever Miles feels compelled to divulge at the moment, the short vignettes swinging rapidly from honesty to bluster in true teenage fashion. Sometimes he writes about his recent crush or ruminates on innocuous idioms, and other times he contemplates his parents' divorce and his own mortality. Though Miles loses his temper and never seems to do anything right, Reed (Miraculous Fauna, 2016, etc.) offers empathetic glimpses into his psyche, including his incessant worrying about his mother and tenderness toward animals and nature. Reed convincingly writes a three-dimensional teenager whose self-consciousness, emotions, and hormones threaten to crush him. What Miles wants to do and what he does are constantly at odds; for a boy who always fights with his mother, he surprises himself throughout the book with his caring (“Sometimes after my mother goes to bed, I come and tuck her in for the night”). Near the end of the summer, Miles’ luck seems to change when his path crosses with that of his new elderly neighbor, Mister Reese, who his sisters believe is a murderer. The newfound friendship provides some of the most self-aware moments of his summer, which feel not only earned, but necessary.
A coming-of-age story capturing male adolescence in all its disgusting, irrational, and messy glory.Pub Date: Jan. 23, 2018
ISBN: 978-1-61902-537-0
Page Count: 240
Publisher: Counterpoint
Review Posted Online: Sept. 27, 2017
Kirkus Reviews Issue: Oct. 15, 2017
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
