An intermittently moving tale of love and loss in the City of Light.
A graphic memoir about romance in Paris.
In 2019, coming off a year of major depression, noted artist and graphic designer Goodman wanted to “do something big for myself—not for my career, not for someone else, not for some impossible facade I could never keep up with because of fear.” He decided to move to Paris for six months, learn French, and eat “all the baguettes.” While he was there, he met Aimée, who gave him a “tingly feeling I hadn’t felt since I was a teen.” After only a few months, the author committed wholeheartedly to the relationship. “I was thinking about wedding pictures,” he writes. Unfortunately, the romance didn’t survive Goodman’s move back to New York City, and the challenges of a long-distance relationship proved too much for the couple. Eventually, they met in Rome and broke up. This book, illustrated in Goodman’s characteristic Sharpie-based style, is his attempt to create “art out of my own heartache.” The story of his brief but intense love affair is a jumping-off point for the author to excavate his own traumas and vulnerabilities, beginning with the departure of his biological father when Goodman was only 18 months old. The author also delves into some of his other unlucky relationships with women, and he includes a brief, post-breakup interlude. Goodman casts himself as the starry-eyed romantic of the book’s title, a “sentimental” person who “cries to The Internon a two-hour-long flight to Chicago.” He is overwhelmingly open about his emotions about the breakup, noting that when a rumor reached him that his ex may have been unfaithful to him, he got drunk and “wrote two intense emails to my therapist like I was 2Pac in his prime.” Goodman’s willingness to bare it all is touching, but the end result feels more like a blog than a cohesive book.
An intermittently moving tale of love and loss in the City of Light.Pub Date: Jan. 31, 2023
ISBN: 978-1-66800-369-5
Page Count: 192
Publisher: Simon Element
Review Posted Online: Oct. 19, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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