Next book

NIGHT TRAIN TO RIGEL

Convoluted and inventive without being especially plausible; with a dead-in-the-water romance and lack of real edge, Zahn...

An alien-conspiracy yarn, wherein faster-than-light travel takes place via a sort of interstellar Amtrak, from the author of Manta’s Gift (2002).

Two centuries from now, Earth is the junior member of a galactic community whose alien-machine Spiders own and operate the Quadrail transportation system. Frank Compton, late of Western Alliance Intelligence (booted out for complaining about the billions wasted in developing the useless planet Yandro) receives a Quadrail ticket—ironically, to Yandro—from an unknown agent who promptly dies of severe wounds. Once aboard the Quadrail system, Frank meets the attractive but cold Bayta, a human Spider agent who engages him to investigate a possible threat against the galaxy in general and the Quadrail system in particular. Bayta clearly knows more than she’s telling, but then Frank has his own unrevealed agenda too. While in Jurian space, Frank and Bayta are attacked by Halkas and learn of a conspiracy centered on the ice-covered moon Modhra, where they encounter renegade Bellido commandos, apparently eco-terrorists intent on destroying the Modhran coral beds. Oddly, Bayta warns Frank not to touch the coral, while others urge the opposite. It emerges that the coral is intelligent; its polyps can invade bodies through cuts and scratches and influence the behavior of their hosts. Worse still, big coral colonies produce thought viruses that infect victims without bodily contact. The Bellidos are actually good guys whose government, like the Halkas, has been subverted by the megalomaniacal coral.

Convoluted and inventive without being especially plausible; with a dead-in-the-water romance and lack of real edge, Zahn once again fails to transcend his YA tendencies.

Pub Date: Oct. 1, 2005

ISBN: 0-765-30716-2

Page Count: 352

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2005

Awards & Accolades

Likes

  • Readers Vote
  • 415


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 415


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

Close Quickview