Though based in history, this novel is timely, addressing the human complexity of literal borders and figurative walls and...

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ORANGE FOR THE SUNSETS

In 1972, the president of Uganda, Idi Amin, ordered the expulsion of the country’s “foreign Indians,” giving them 90 days to leave the country.

In alternating chapters, Athaide tells the story of best friends Asha, who is Indian, and Yesofu, who is African and whose mother is a servant in Asha’s home, as they navigate this xenophobic, nationalist chaos. Yesofu is influenced by Mamma’s words—“You and Asha are from different worlds,” she warns him—but Asha is determined to prove him wrong: “Black. Brown. Indian. African. She’d…[s]how him these differences didn’t matter.” Yet when Asha sees Yesofu “cheering, waving, and hollering” at an anti-Indian rally, she is hurt and confused. When, shortly after, at school during a heated argument, Yesofu snarls at her, “Don’t [my family] deserve more than being your slaves—don’t I?” Asha is incredulous. As the novel progresses, however, Yesofu, too, has misgivings about this Ugandan nationalism and the possible loss of his dearest friend. Drawing on Athaide’s own childhood experiences as a Ugandan-born British-Indian whose family was affected by the expulsion, the story does not shy from the violence and death of the episode. The use of the alternating perspectives helps readers unfamiliar with the era understand both it and the feelings on both sides; an author’s note provides further context.

Though based in history, this novel is timely, addressing the human complexity of literal borders and figurative walls and lives that are irrevocably and heartbreakingly changed in crises. (bibliography, further resources) (Historical fiction. 9-13)

Pub Date: April 2, 2019

ISBN: 978-0-06-279529-8

Page Count: 336

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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Moving and poetic.

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PAX

A motherless boy is forced to abandon his domesticated fox when his father decides to join soldiers in an approaching war.

Twelve-year-old Peter found his loyal companion, Pax, as an orphaned kit while still grieving his own mother’s death. Peter’s difficult and often harsh father said he could keep the fox “for now” but five years later insists the boy leave Pax by the road when he takes Peter to his grandfather’s house, hundreds of miles away. Peter’s journey back to Pax and Pax’s steadfastness in waiting for Peter’s return result in a tale of survival, intrinsic connection, and redemption. The battles between warring humans in the unnamed conflict remain remote, but the oncoming wave of deaths is seen through Pax’s eyes as woodland creatures are blown up by mines. While Pax learns to negotiate the complications of surviving in the wild and relating to other foxes, Peter breaks his foot and must learn to trust a seemingly eccentric woman named Vola who battles her own ghosts of war. Alternating chapters from the perspectives of boy and fox are perfectly paced and complementary. Only Peter, Pax, Vola, and three of Pax’s fox companions are named, conferring a spare, fablelike quality. Every moment in the graceful, fluid narrative is believable. Klassen’s cover art has a sense of contained, powerful stillness. (Interior illustrations not seen.)

Moving and poetic. (Animal fantasy. 9-13)

Pub Date: Feb. 2, 2016

ISBN: 978-0-06-237701-2

Page Count: 304

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

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The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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