Students of modernist literature and publishing history will find this a pleasure.
A namesake and descendant delivers a richly detailed biography of the distinguished British publishing house.
After World War I, returning veteran Geoffrey Faber found himself relieved from a job for which he didn’t have much talent, running a brewery, and talked his way into a medical publishing house, setting about diversifying the list with a literary magazine, works of fiction, and “legal cram books.” While the last never came about, writes Faber (Faberge's Eggs: The Extraordinary Story of the Masterpieces That Outlived an Empire, 2008, etc.), Geoffrey eventually shaped a list dominated by literature, publishing many of the greats. As he wrote to a friend, the company’s new premises on Russell Square provided an incentive “to build up as fine a publishing business as we can to inhabit it!” As the author writes in this documentary biography of the company, Geoffrey was fortunate in taking on the American poet T.S. Eliot, so much an Anglophile as to be more English than the English, as an early editor. Eliot often rejected submissions, but he also encouraged work by poets such as W.H. Auden and Christopher Isherwood, helping make Faber a major presence in the literary world from the 1930s on. At the same time, other editors and directors brought in notable writers such as William Golding, who delivered a manuscript that he called A Cry of Children, soon to be superseded by a Faber editor’s much more memorable Lord of the Flies. The author isn’t shy about sharing the fiscal details of publishing, opening with the old adage that the way to make a small fortune in the business is to start with a large one. He also provides insight into the publishing work of rock legend Pete Townshend, who, despairing of the future of his band, came to work for Faber & Faber in 1983, writing what one colleague called "good old-fashioned publishing reports, very serious, very diligent reports on the books we’re considering.”
Students of modernist literature and publishing history will find this a pleasure.Pub Date: Aug. 13, 2019
ISBN: 978-0-5713-3904-4
Page Count: 400
Publisher: Faber & Faber
Review Posted Online: June 10, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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