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FABERGÉ’S EGGS

THE EXTRAORDINARY STORY OF THE MASTERPIECES THAT OUTLIVED AN EMPIRE

Surprisingly fascinating.

Comprehensive history of the 50 extravagant baubles created between 1885 and 1917 as Easter gifts for the Russian royal family.

It was a combination of luck and skill, writes Faber (Stradivari’s Genius, 2005, etc.), that enabled Carl Fabergé, one of many local artisans catering to the turn-of-the-century St. Petersburg aristocracy, to become “Jeweller to the Court” and creator of the elegant eggs synonymous with the prewar gilded era. In 1885, czarina Marie Fedorovna purchased Fabergé cufflinks at a jewelry expo; that same year, Alexander III commissioned the first Fabergé Easter egg for his wife. The czarina was delighted with the exquisite gift, which contained a golden yoke, a miniature imperial crown in diamonds and a ruby pendant. A tradition was born that two generations of czars would maintain for three decades. The eggs displayed astonishing craftsmanship and attention to detail, qualities that became Fabergé hallmarks and resulted in the family-owned firm becoming the largest jewelry supplier in the world. It was their connection to the Romanovs, though, that marked the 50 imperial eggs as tokens of history. The years in which they were given saw ever-increasing strife and tragedy. As Russia devolved into poverty and hurtled toward revolution, the czar’s regime displayed much pomp but little concern for the welfare of his people. The eggs became a symbol of ostentatious wealth with little utilitarian purpose; each year they grew more elaborate and personalized, thus providing a priceless glance into the lives of the doomed royal family. After the abdication of Nicholas II and the subsequent execution of the former czar, his wife and children in 1918, the eggs were seized and dispersed. By 1930, more than a dozen had emerged in the hands of private investors in the West; they have since been bought and sold by a variety of collectors, including Armand Hammer and Malcolm Forbes. In 2004, in a great show of nationalism, Russian billionaire Viktor Vekselberg purchased Forbes’s entire Fabergé collection for more than $90 million, reinforcing the Fabergé brand and its importance to Russian history.

Surprisingly fascinating.

Pub Date: Oct. 14, 2008

ISBN: 978-1-4000-6550-9

Page Count: 320

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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