Violent, fast, mean, funny, and thoroughly satisfying.
Dinner with his gorgeous ex-girlfriend in an of-the-moment restaurant is made epically memorable for a London screenwriter when an executioner pops in and wipes out the date—and nearly finishes off the writer, who, badly banged-up, carries an understandable grudge.
It was Lily who made the date with Conrad Redman. Lovely Lily. Lily the almost-actress. Lily the star of the adverts. Who six weeks ago kicked Conrad out of her life and her excellent apartment. And here she’s cocked her finger for Conrad to fill in at dinner when she’s stood up by her first choice. And Conrad, who still carries a torch, comes running. No shame. And precious little money for the very expensive dinner just ordered that won’t be enjoyed, thank you, because a gent in cyclist-delivery spandex has walked in and sprayed Lily dead with an automatic pistol, and got several rounds into Conrad, who wakes up weeks later to find himself in rehab with a lot of questions. And some money. It turns out Lily hadn’t got around to changing her will, so Conrad’s got her savings and that very desirable apartment. As he rebuilds his badly wasted body, Conrad learns that the gunman is in custody, but that nobody—not his mother, not his long-suffering social worker, not Lily’s unspeakable parents, and absolutely nobody official—will tell him anything about the assassin or the circumstances that so rudely interrupted Lily and Conrad’s last supper. As curious as he is irritated, Conrad goes digging. His wheelchair-and-taxi odyssey, shadowed by all sorts of heavies, will take him into a pathology lab, the city’s theatrical and underworlds, and (most frightening) the world of the tabloids, and will nearly get him killed all over again. He will learn that Lily was pregnant and that he was not the only one enjoying her favors when he was still enjoying them. Some of the most satisfying moments in Conrad’s battle for the truth occur when the Royal Shakespeare Company takes heavy blows.
Violent, fast, mean, funny, and thoroughly satisfying.Pub Date: Dec. 1, 2001
ISBN: 0-7145-3068-9
Page Count: 380
Publisher: Marion Boyars
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
