by Tod Davies ; illustrated by Mike Madrid ‧ RELEASE DATE: Nov. 1, 2015
If handed to exactly the right reader at the right time, this has the potentially to be revelatory, even life-changing; but...
A philosophy lecture disguised as a fairy tale, this third series entry both recapitulates and reinterprets the previous titles (Snotty Saves the Day, 2011; Lily the Silent, 2012).
A curse transforms Arcadian princess Sophy, barely 15, into the eponymous half-reptile. Desperate for a cure, she flees her bucolic realm for a decadelong quest, winding over mountains and through the ruins of technocratic Megalopolis to both moons. She encounters angels and centaurs and mermaids, tumbles into a passionate affair with her younger half brother, Joe, lights upon a quieter romance with a female enemy general, infiltrates the household of her diabolical grandmother Livia, and finally reunites with Joe after his death to conceive their child and retrieve the mystical Key that will at last enable her to reign as Queen Sophia. Yet this phantasmagoric journey, employing lush prose and stunning imagery, twisting backward and forward through time and across worlds, only serves as a framework for Sophy’s endless, didactic ruminations about life, death, nature, power, love, and so forth. Despite Sophy’s self-deprecating caveats, her gynocentric gnostic Platonism with a New Age varnish is presented as revealed truth, accepted by nearly every character except the most cartoonishly villainous.
If handed to exactly the right reader at the right time, this has the potentially to be revelatory, even life-changing; but most will find it baffling, irritating, or deadly dull. (Fantasy. 14 & up)Pub Date: Nov. 1, 2015
ISBN: 978-1-935259-29-9
Page Count: 304
Publisher: Exterminating Angel
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Tod Davies
by James Islington ‧ RELEASE DATE: Aug. 22, 2017
Though the book is vastly overelaborate, the steady pace and intricately fascinating details are relentlessly gripping; fans...
Second part of Islington’s doorstopper epic fantasy trilogy (The Shadow of What Was Lost, 2016), set in a world of the Gifted, whose magic lies in being able to tap into their own life force, and the Augurs, who wield a higher-order magic.
Islington supplies a "refresher" of the events of Book 1 that isn’t as helpful as you might suppose for reasons that will soon become clear. The laws that kept the Augurs and the Gifted constrained have been changed to allow them to defend Andarra against mysterious invaders. Three 16-year-olds who became friends at a school for the Gifted, Davian, Wirr, and Asha, now face different futures. Davian must learn to control his Augur powers and determine why the Boundary, put in place many years ago to keep out an invader called Aarkein Devaed, is weakening. Wirr, who, following his father’s death, is now Prince Torin the Northwarden, suspects that the story his father told him was false and must also deal with his interfering mother. By means of treachery, Asha’s Gifted powers have been suppressed, turning her into a Shadow; determined to find out how and why, she may discover more than she bargained for. Their friend Caeden has learned he’s an immortal; worse, he was once Aarkein Devaed but could not bear the crushing guilt and deleted his memories. Now he finds he needs them back; but is he really as evil as everybody says and he himself believes? With the narrative lacking the clear theme usually found in epic fantasy, the particulars assume critical importance; without them readers will be unable to decipher such magnificently gnomic passages as: "Andrael’s ridiculous weapon did its job and took my Reserve, so the Siphon is now bonded to Ashalia rather than me. If you want to seal the ilshara, she will need to find the final Tributary. The one that you set aside for Gassandrid, until he began to suspect and split himself."
Though the book is vastly overelaborate, the steady pace and intricately fascinating details are relentlessly gripping; fans of the first volume won’t be disappointed.Pub Date: Aug. 22, 2017
ISBN: 978-0-316-27411-1
Page Count: 704
Publisher: Orbit
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
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by Sarah Kozloff ‧ RELEASE DATE: Feb. 18, 2020
Perfectly fine despite second-book syndrome.
Cerúlia must grow up and learn to fight for her destiny in Kozloff’s (A Queen in Hiding, 2020) second Nine Realms novel.
Her mother, the Queen of Weirandale, is dead, and Cerúlia isn’t a child any more. She’s left her adoptive peasant family in order to escape evil Lord Matwyck’s clutches and eventually escapes Weirandale altogether. Using her ability to talk to animals and several bird-related aliases, Cerúlia manages to trek her way over the mountains and into the nation of Oromondo. Cerúlia knows that the Oros killed her mother, and she wants to avenge her death. She’s heard of a group of raiders who work to disrupt the Oros as they invade and pillage neighboring nations. When Cerúlia finally manages to find them and convince them to let her join up, she discovers not only new friends, but a newfound sense of purpose. But is any of that enough to win back her throne or even save herself from the Oro army? Interspersed with Cerúlia’s plotline are various threads centering on the Oro army and people, Lord Matwyck’s kindhearted son, and the raiders themselves. This is the second of a four-part series, and, as such, it falls into the expected pitfalls. The self-contained plot works, but it inevitably feels more like a buildup to further books in the series than its own story. It rises above filler, though, and Kozloff is clearly laying the groundwork for something good, particularly with the very last chapter.
Perfectly fine despite second-book syndrome.Pub Date: Feb. 18, 2020
ISBN: 978-1-250-16856-6
Page Count: 512
Publisher: Tor
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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