MEDIA UNLIMITED

HOW THE TORRENT OF IMAGES AND SOUNDS OVERWHELMS OUR LIVES

Thousands and thousands of channels, but nothing on.

Instead of bemoaning that fact or celebrating it in an explosion of incomprehensible post-pastiche euphoria, Gitlin (Cultural Studies/NYU; The Twilight of Common Dreams, 1995, etc.) sets out to examine the structural role that media proliferation plays in the late-industrial world. Early on, Gitlin promises a grand summation and uses that lofty goal as a means of avoiding tiresome specificity. Unfortunately, the lack of specificity sometimes bleeds into a lack of rigor and relevance (at times one could even say coherence). Basically, there are three essays here, and the connections among them are not always clear. The first, and most interesting, is a witty riff on the media “torrent,” the paradoxical promises it makes, and the deeply embedded role it plays in a consumerist society. The second patchily examines the role of speed in modern society and ties it into the demand for more media: The faster we can process images and information, the richer our lives are (in both senses of the word). The third, more descriptive than analytical, identifies six ad hoc “styles of navigation” that supposedly describe the strategies that people adopt in their interactions with the media torrent. There’s a conclusion that attempts to tie all of this together by throwing around words like “culture” and “democracy,” but it feels tacked on. What one’s left with, then, is a strange combination of provocative thoughts (speed originally meant “to prosper” and only later took on its present meaning; the goal of the modern media is to efface the media’s mediating function by presenting things immediately) and serious navel-gazing (on more than one occasion one gets the sense that we’re reading cleaned-up notes that Gitlin took while watching sports on TV). This inconsistency would be less disappointing if the author weren’t fighting over his chosen piece of analytical turf with a heap of other, more systematically compelling writers, many of whom he happily cites.

Diffuse.

Pub Date: March 7, 2002

ISBN: 0-8050-4898-7

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2001

Did you like this book?

No Comments Yet

ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

Did you like this book?

No Comments Yet

Not an easy read but an essential one.

Reader Votes

  • Readers Vote
  • 21

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

Did you like this book?

more