An odd combination of genres and tropes for fans of old-fashioned adventure.
Moby-Dick on an alien planet.
Having left the arid, chemical-laden, dying Earth for a yearlong assignment, Ishmael awakens from stasis already on the Pequod, a ship in the middle of the ocean on a planet called Cretacea. He’s never seen an ocean before—nor rain, nor plants, nor solid food, nor nonhuman animals like the sea creatures this ship is hunting. He needs money to buy his foster parents passage off of Earth, but Capt. Ahab’s singular, manic focus on killing the Great Terrafin (think: white whale) prevents the crew from harvesting other sea animals, despite the profit they offer. Strasser crams in a lot: post-apocalyptic Earth, ship life, enthusiastic and bloody sea hunting, time travel, naturally occurring opioids, pirates, stereotypically simple-hearted islanders, inexplicable and pointless dialects, and a blind man who smells information. The rusty, old Pequod is powered by nuclear reactor, and technological gadgets—tablets, magnetic levitation, drones that track sea life—make strange bedfellows for harpoons and people unaware of the concept of reading. Despite the science-fiction premise—including a surprise late reveal—this has a pure adventure core; Ishmael undergoes no emotional growth arc whatsoever, and his characterization comes straight from lost-heir fantasy.
An odd combination of genres and tropes for fans of old-fashioned adventure. (author’s note, glossary) (Science fiction/adventure. 12 & up)Pub Date: Oct. 13, 2015
ISBN: 978-0-7636-6901-0
Page Count: 432
Publisher: Candlewick
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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