The end is foreboding…all young Jedi rejoice! There will be a sequel.
A short time ago in a middle school not far away…
The forces of good have lost Dwight and Origami Yoda to Tippett Academy. McQuarrie Middle School is suddenly as boring as linoleum flooring. On the second day of the post-Dwight era, Sara, Tommy’s sorta girlfriend and Dwight’s neighbor, arrives at school with a fortune Wookiee (a cootie catcher shaped like Chewbacca) and says Dwight has sent Chewie to help in Origami Yoda’s absence. Kids ask advice. Sara counts off their favorite movie, spells the name of their favorite Star Wars character, lifts a flap and: “Mmmrrrgggggg!”—Chewie offers sage advice. Thankfully, Han Foldo’s there to interpret, usually offering a Han Solo quote from the movies. Chewie solves several student problems as Tommy compiles a case file with stories from each, but Tommy’s also concerned that Tippett Academy seems to have drained the weird from Dwight. Will Harvey expose the fortune Wookiee as a fraud? Will Dwight return to McQuarrie? Will principal Rabbski outlaw origami and destroy what little fun there is to be had at school? Angleberger’s third in the series continues the fun but relies on knowledge of its predecessors, but unlike the movies, going back to the prequels is no hardship. A chorus of spot-on middle school voices and plenty of laughs are wrapped around this tale of friendship and seasoned with Star Wars references.
The end is foreboding…all young Jedi rejoice! There will be a sequel. (Graphic hybrid fiction. 9-14)Pub Date: Aug. 7, 2012
ISBN: 978-1-4197-0392-8
Page Count: 160
Publisher: Amulet/Abrams
Review Posted Online: Aug. 6, 2012
Kirkus Reviews Issue: Aug. 15, 2012
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.
Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.
Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)Pub Date: Aug. 19, 2014
ISBN: 978-1-4231-8364-8
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
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