A rich, contentious, and challenging book.
A deep dive into the heart of the New Testament, crossing continents and cross-referencing texts.
Bissell (Magic Hours: Essays on Creators and Creations, 2012, etc.) delivers an unusual work of Christological travel literature, visiting the alleged tombs of Jesus’ disciples, supplementing his journey with close readings of Scripture and ancient church history. At the church sepulchers, which have become tourist attractions, the author met priestly defenders of the faith who make broad claims for the historic relevance of their sites, as well as the many alleged artifacts that go with it, whether it’s the remains of Bartholomew in Rome or the bones of Peter in the Vatican. On the page, Bissell finds the Gospels to be a vast, crazy quilt on which every jot and tittle is suspect, from proper names to history, due to both the vagaries of oral tradition as well as the varying translations and competing agendas of copyists, scribes, and leaders. The author examines all these controversies in scholarly depth. Was there really a Judas? Was John actually the Beloved Disciple of history, or was that someone else? Was James actually the stepbrother of Jesus? Were the Gospels written as a reaction to the fact that the second coming did not immediately occur? As a long-lapsed Catholic, Bissell’s driving concern is why people still believe, and his somewhat condescending answer is that they simply want to. “To explain the realness of that which we cannot see, we turn to stories left behind by evangelistic writers, working behind their complicated veils of anonymity,” he writes. “The footprints they left behind lead us to places we long to be led.” Bissell is by turns analytical and cynical, illuminating and, given his passion for splitting etymological hairs, occasionally dry.
A rich, contentious, and challenging book.Pub Date: March 1, 2016
ISBN: 978-0-375-42466-3
Page Count: 432
Publisher: Pantheon
Review Posted Online: Jan. 17, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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