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CREATIVE TYPES

A witty, wide-ranging exploration of complex emotions.

Troubled men and women hit crisis points that drugs, jokes, sex, and the letter of the law can’t alleviate.

The protagonists of Bissell’s second story collection are usually having their good times spoiled by feelings or memories that keep nagging them. In “A Bridge Under Water,” two newlyweds on their honeymoon in Rome get the creeping sense their marriage was an error, culminating in an ugly scene inside a historic synagogue. The couple in “Creative Types” are spicing up their marriage by hiring an escort, but the husband is unsettled by her “Cla$$y Lady” tattoo, and she in turn is unsettled by his noticing. In “Punishment,” an ill-paid but intellectually satisfied magazine editor’s past life as an eighth grade bully reemerges when his former partner in crime pays a visit. And in “The Fifth Category,” a lawyer who helped find legal loopholes to justify torture during the Iraq War receives a potent and peculiar form of comeuppance after a high-ticket speaking engagement. Bissell is a deeply precise writer, and his sense of the emotional disorientation his characters face is literally gut-level. (“From his stomach, the staging area, his body spit his most recent meal into his intestinal coils,” he writes of the torture lawyer.) Bissell’s background in detail-oriented journalism comes in handy both in terms of language and form: “My Interview With the Avenger” is a satire of magazine profiles that doubles as a study in vigilantism. And he can deliver in a variety of milieus, from Tallinn, Estonia, where an aimless young woman embraces a fellow expat’s drug habit in “Love Story, With Cocaine,” to the set of Saturday Night Live, where the assistant to James Franco (not fully named, but obvious) runs a gauntlet of demands and mercurial personalities. The stories’ endings sometimes lack the crispness of their setups, but Bissell is trading in anxiety, not resolution.

A witty, wide-ranging exploration of complex emotions.

Pub Date: March 23, 2021

ISBN: 978-1-524-74915-6

Page Count: 224

Publisher: Pantheon

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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