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SLAVE OF MY THIRST

The author of Lord of the Dead (1995), the story of the wildly bipolar Lord Byron becoming ruler of the planet's vampires at age 19, returns with a sequel and a fresh look at London's bloodsuckers. The story opens as a satirically rip-roaring 19th-century boy's adventure modeled on Gunga Din. A small group of ramrod British soldiers attack a temple of Kali high up in the Himalayas, only to find themselves facing Russian zombie/vampires enthralled by the goddess of destruction-and-bloodlust: She takes the form of a ravishingly beautiful vision of sexual horror named Lilah, who later turns up in London. The very amusing first 70 pages—as stiff-lipped British noncoms battle flesh-eating ghouls, and as Dr. John Eliot, also in India, investigates a horrible infection that melts brains and wastes the body, as well as a princely fortune that suddenly vanishes—are worth the ticket price. Eliot's research eventually sets him on Lilah's trail. Back in London, he's joined by theater manager Bram Stoker, who has not yet written Dracula but becomes knowledgeable about vampires while playing muddle-brow Watson to Eliot's Holmes. Eliot is enjoined by a young actress, Miss Lucy Ruthven, to look into her brother Arthur's murder and the disappearance of her guardian, Sir George Mowberley. The two men had been heading a parliamentary bill that would have a major impact on India. Trailing the lost jewels of Kalikshutra at last leads Eliot to Lilah and to a ghastly facedown with this supremely corrupted immortal who bathes in blood in a golden tub. Then come the real surprises—and Byron's return. The Victorian voice used throughout may have been fun to mimic, but Holland's own voice would have given him more intensity. Even Dracula's epistolary style can stultify.

Pub Date: Oct. 1, 1997

ISBN: 0-671-54052-1

Page Count: 432

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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CUTTING FOR STONE

A bold but flawed debut novel.

There’s a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).

The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. “Where but in medicine,” he asks, “might our conjoined, matricidal, patrifugal, twisted fate be explained?” The question is key, revealing Verghese’s intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys’ Ethiopian identity goes unexplored. Shiva is an enigma, though it’s no surprise he’ll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.

A bold but flawed debut novel.

Pub Date: Feb. 6, 2009

ISBN: 978-0-375-41449-7

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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