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BECOMING BACH

An imaginative look at what sparked a musical genius

Johann Sebastian Bach’s early years come to life in a delightful salute to the 17th-century German composer.

Johann, raised in a large family of musicians, is intrigued by the patterns he sees in musical notation and imagines the kinds of sounds he could invent with “just seven notes.” While this simplification of the concept of composition is likely for the benefit of budding musicians (Bach used the Western 12-tone scale), it also lends an immediacy to the light, first-person text. Leonard uses expansive double-page spreads throughout to illustrate Johann’s love of music. On one such, the notes of a score fill with vibrant color and float away beyond the young copyist’s hand. The artwork in acrylic paint on illustration board leaves plenty of room for young readers to interpret metaphorical images. An evocative, vertical double-page spread is a visual play on the word “scale,” as notes pour out of Johann’s hands to reach new heights and form castles in the air. A second vertical spread shows Bach as he “pulled out all the stops” on the organ to fill a church with sound that literally soars to the rafters. An afterword fills in the details of Bach’s life as a family man and his career as a composer, and a list of source material, suggested listening, and websites is provided.

An imaginative look at what sparked a musical genius .(Picture book/biography. 4-8)

Pub Date: Feb. 28, 2017

ISBN: 978-1-62672-286-6

Page Count: 40

Publisher: Neal Porter/Roaring Brook

Review Posted Online: Nov. 1, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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GOING PLACES

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted.

Imagination soars—quite literally—when a little girl follows her own set of rules.

Every year Oak Hill School has a go-kart race called the Going Places contest. Students are given identical go-kart kits with a precise set of instructions. And of course, every single kart ends up exactly the same. Every one, that is, except Maya’s. Maya is a dreamy artist, and she would rather sketch birds in her backyard than get caught up in the competition. When she finally does start working, she uses the parts in the go-kart box but creates something completely different. No one ever said it had to be a go-kart. Maya’s creative thinking inspires Rafael, her neighbor (and the most enthusiastic Going Places contestant), to ask to team up. The instructions never say they couldn’t work together, either! An ode to creativity and individuality to be sure, but the Reynolds brothers are also taking a swipe at modern education: Endless repetition and following instructions without question create a culture of conformity. Hopefully now, readers will see infinite possibility every time the system hands them an identical go-kart box.

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted. (Picture book. 4-8)

Pub Date: March 18, 2014

ISBN: 978-1-4424-6608-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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