Postcards from around the globe, far from the beaten path of tourism.
Los Angeles Review of Books founder and editor-in-chief Lutz (Doing Nothing: A History of Loafers, Loungers, Slackers, and Bums in America, 2006) writes that he originally intended to subtitle this book “Around the World in Eighty Anecdotes.” “I thought it was an honest disclosure,” he writes. “What follows is an anecdotal rendering of eighty moments in my traveling life, with no attempt to use them to trace any world picture or any narrative arc.” Or to teach any moral lesson, though there is plenty to be learned here, for the writer and readers alike. Often in a state between dislocation and disorientation, he found himself grappling with the culture, politics, and religions of places where he could barely read the signposts. He writes of beggars who were more like demanders and of borders where he was often unclear whether the papers he brought with him to cross would allow him to cross back and, if so, who needed to be bribed how much. Lutz disdains the surface pleasures of tourism, but at a Zimbabwe National Park, he recognized that he “couldn’t shake the sense that I was not in the wild at all, but in a New Jersey safari park….I am a tourist. I love elephants.” He does, however, hate monkeys with a passion that puts a different slant on the title. He usually traveled alone, typically where other travelers don’t, but he often encountered kindred spirits who aided his understanding or shared his confusion. A musician himself, he responded to a variety of extraordinary music, which required no translation. When the book arrives at its final section on Europe, it is no surprise to readers that there is no visit to London, Paris, or Venice, or even to the countries where those much-visited cities are located.
A travel memoir with short, provocative, occasionally inscrutable entries that will eventually tire even armchair travelers.Pub Date: Oct. 1, 2016
ISBN: 978-1-60938-449-4
Page Count: 240
Publisher: Univ. of Iowa
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Categories: GENERAL NONFICTION
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BOOK REVIEW
BOOK REVIEW
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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