by Tom Philpott ‧ RELEASE DATE: Aug. 11, 2020
A solid, keenly drawn critique of American agricultural circumstances and consequences.
The food and agricultural correspondent for Mother Jones takes a focused look at the ecological degradation caused by industrial agriculture in the U.S.
Philpott offers a view—primarily of California’s Central Valley and the Midwest Corn Belt—of what the political and economic forces of corporate-dominated agriculture are contributing to the decline of the environmental resources of these two main production regions. The author is deeply invested in—and knowledgeable about—all the ins and outs of the virtual oligarchy that controls American agriculture, from the seeds to the market destinations. It’s hardly surprising—though depressing nonetheless—that fewer than a dozen giant companies have so concentrated agricultural production that they have stretched resources such as natural soil fertility and freshwater resources to the point of environmental calamity. As Philpott amply illustrates, via enlightening interviews with hydrologists, geologists, soil chemists, and entomologists, the demands that corn/soy/meat culture have put on the Corn Belt, as well as the water burden of the industries of the Central Valley, are not only unsustainable, but likely catastrophic for future farming on that land. In the absence of cover crops to protect the land from increasingly severe storms, the Midwest’s once-deep soil is often washed away down the Mississippi River, ending up in the Gulf of Mexico, where its fertilizer loads spawn algal blooms that transform into dead zones. Philpott is especially good in his explanations of alternative agricultural modes of production, which, for the most part, involve increasing diversity, mixing it up, and spreading it out. The author also explores the unique problems facing midsized farmers—too small for the national chains and too big for local farmers markets—and the complete overhaul of production required to break the monoculture mindset. Philpott is not optimistic about the current political landscape, with a “climate change denier” as president and crucial regulatory agencies “shot through with former oil and agribusiness industry execs and flacks.”
A solid, keenly drawn critique of American agricultural circumstances and consequences.Pub Date: Aug. 11, 2020
ISBN: 978-1-63557-313-8
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
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by Tom Philpott
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
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A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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