A grab bag, but a devil of a good one for the most part.
Diverse work about roots and catastrophe by the gifted essayist and novelist.
This collection of short pieces by Piazza (City of Refuge, 2008, etc.) doesn’t entirely hang together, but still mirrors the versatile author’s many great strengths. The first of the three sections contains his writing about music, much of it drawn from his tenure as Southern Music columnist for the Oxford American. It is highlighted by his unforgettable, wildly colorful profile of the idiosyncratic bluegrass musician Jimmy Martin, published in book form as True Adventures with the King of Bluegrass (1999). Piazza also provides thoughtful considerations of prewar bluesman Charley Patton (one of whose songs supplies the tome’s title), country pioneer Jimmie Rodgers and pathfinding New Orleans jazzman Jelly Roll Morton; some smart (mostly commissioned) pieces about Bob Dylan; the Grammy-winning notes for a boxed set overview of the blues; and sensitive profiles of rockabilly great Carl Perkins and gospel singer Rev. Willie Morganfield, cousin of bluesman Muddy Waters. The second section is less focused and hence less satisfying. Piazza is a longtime New Orleans resident, and several of the pieces focus on his reactions to the aftermath of Hurricane Katrina, which he dealt with at full length in both the novel City of Refuge and the nonfiction work Why New Orleans Matters (2005). Coruscating with outrage, these entries—which include an edited online chat from the Washington Post and an exchange of private letters—read like adjuncts to those books; the best of them weighs the disaster through the unlikely prism of several old Charlie Chan films. Also included are homages to Norman Mailer, Piazza’s friend and literary model, which sit uneasily next to the other chapters. A brief third section wraps the book with a meditation on the moral core (or lack thereof) of Gustave Flaubert’s fiction and a lovely report about shopping for 78s at a New Orleans flea market after the deluge.
A grab bag, but a devil of a good one for the most part.Pub Date: Sept. 1, 2011
ISBN: 978-0-06-200822-0
Page Count: 304
Publisher: Perennial/HarperCollins
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
