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COLD PEOPLE

A dystopian novel that can be as cold as its setting.

After aliens occupy Earth in 2023 and enact "the largest genocide ever committed," all human survivors are forced to live in Antarctica, where genetic engineering becomes key to their survival as a species.

The survivors are given 30 days to make it to the frigid continent. Children younger than 14 and adults older than 45 must be left behind. In Hope Town, a ramshackle settlement one group of immigrants creates, the arts are "as important to survival as housing and food." But in McMurdo City, where billionaires and Nobel Prize winners reside, science rules. The fruits of the research there include "ice-adapted" children including Echo, a 6-foot-6 female with blue blood, lizardlike skin, and fat cells derived from the octopus. Increasingly, tension grows between those who have embraced the DNA modifications as a way of protecting their children from the subzero cold and those who believe that only an entirely new breed of human is capable of surviving in it. "Invaded by aliens, we have created aliens of our own," declares an unhappy geneticist. Part Frankenstein and part Nineteen Eighty-Four, the latest novel by the author of Child 44 (2008) is nothing if not ambitious. But after getting off to a great start, in which a family overcomes grievous odds to make it to Antarctica by supertanker only to get caught in an offshore logjam and risk missing the aliens' deadline, the novel loses its heart and narrative sweep to stiffly written scenes and didactic commentaries. Smith has no interest in the aliens, who are never seen or heard. There's little character development—Echo could have been sketched in by a computer. And an ordinary character's physical attraction to her is awkward to the point of icky.

A dystopian novel that can be as cold as its setting.

Pub Date: Feb. 7, 2023

ISBN: 9781982198404

Page Count: 368

Publisher: Scribner

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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