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THE SECRET SPEECH

A superb thriller, full of pitch-perfect atmosphere.

From Smith (Child 44, 2008), an intense thriller set in the Soviet Union during the tumultuous days that followed the death of Stalin.

When Khrushchev delivered a speech to the 20th Congress of the Communist Party of the Soviet Union, admitting to the paranoid excesses of his predecessor Stalin’s regime, he did much to loosen the bonds of fear that kept Soviet society in line. However, in this novel, the speech also triggers a wave of vicious reprisals against secret policemen who were responsible for some particularly brutal acts during Stalin’s reign of terror. Among those in danger is Leo Demidov, the reformed security officer with a conscience who tracked down a serial killer in Child 44. In order to redeem his brutal past, Leo has leveraged the official attention he received from catching the child killer to create a specialized homicide unit, something that would have been unthinkable under Stalin. After investigating the death of a former prison guard and having a conversation with a terrified former colleague who also winds up dead, Leo begins to put the pieces together, eventually realizing that those targeted are connected to the case of a dissident priest, a case to which Leo himself was intimately connected. When the danger expands to include the patchwork family Leo has been trying desperately to hold together, he must confront the terrible mistakes of his past to save his adopted daughter. Smith’s ability to summon the paranoia and tumult of the post-Stalin period in all its dingy glory is truly astounding, as is his detailed knowledge of both the Soviet-era bureaucracy and its underworld. His characters, from the relentless Leo, to the petty criminals who populate the underworld, to a lonely guard aboard a frozen prison ship, are perfectly formed. His depiction of dismal Soviet society feels uncannily real, and his taut plot barrels onward like a loaded prisoner train headed for the Gulag. Finally, Leo is a fantastic creation: relentless, decent and wonderfully complicated.

A superb thriller, full of pitch-perfect atmosphere.

Pub Date: May 12, 2009

ISBN: 978-0-446-40240-8

Page Count: 406

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2009

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I'M THINKING OF ENDING THINGS

Reid’s tightly crafted tale toys with the nature of identity and comes by its terror honestly, building a wall of...

A road trip in a snowstorm takes a sinister turn for a man and his girlfriend, the novel’s unnamed narrator.

Reid’s preternaturally creepy debut unfolds like a bad dream, the kind from which you desperately want to wake up yet also want to keep dreaming so you can see how everything fits together—or, rather, falls apart. The narrator, known only as the girlfriend, is driving with her beau, Jake, a scientist, to meet his parents at the family farm. The relationship is new, but, as the title implies, she’s already thinking of calling it quits. Jake is somewhat strange and fond of philosophizing, though the tendency to speak in the abstract is something that unites the pair. The weather outside turns nastier, and Reid intercuts the couple’s increasingly tense journey with short interstitial chapters that imply a crime has been committed, though the details are vague. Matters don’t improve when Jake and the narrator arrive at the farm, a hulking collection of buildings in the middle of nowhere. The meeting with her potential in-laws is as awkward as it is frightening, with Reid expertly needling the reader—and the narrator—into a state of near-blind panic with every footfall on a basement step. On the drive back, Jake makes a detour to an empty high school, which will take the couple to new heights of the terrifying and the bizarre.

Reid’s tightly crafted tale toys with the nature of identity and comes by its terror honestly, building a wall of intricately layered psychological torment so impenetrable it’s impossible to escape.

Pub Date: June 14, 2016

ISBN: 978-1-5011-2692-5

Page Count: 224

Publisher: Scout Press/Simon & Schuster

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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NO BAD DEED

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

A good Samaritan incurs a psychopath’s wrath in this debut thriller.

Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-293617-2

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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