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A DOCTOR & A PLUMBER IN A ROWBOAT

THE ESSENTIAL GUIDE TO IMPROVISATION

A colorful, spirited gem for aspiring actors or groups looking to improve teamwork.

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A book provides guidelines for learning the art of improvisation.

Debut author Schindler is a founding member of Chicago City Limits, New York City’s longest-running improv comedy show, and Soter (You Should Get a Cat, 2016, etc.) is a producer and performer for Manhattan’s Sunday Night Improv. Together in this how-to manual, the duo seeks to make learning improvisation creative and fun. Beginning with a brief history (improv has Chicago roots), the work quickly jumps into the nuts and bolts of slapstick “comedy of the moment.” Instead of scripts, improv performers are given prompts—from the troupe, a partner, or even the audience—and they must learn to act naturally and off the cuff. Chapters begin with footnoted quotes, mostly from actors—like John Cleese of Monty Python’s Flying Circus—and then key concepts are explained for the novice. While it may seem ironic to have rules for spontaneous acting, the authors’ tenets are meant to help newcomers learn to work in sync with other actors. For example, in the guideline “accept all offers,” if an acting partner presents an imaginary cup of coffee, an improviser should take it and develop that idea instead of asking for tea and stopping the flow of the scene. Exercises and games are also included; for example, in “Silent Partner,” one team member must stay quiet, communicating only with body language and facial expressions. Packed with action photos from the authors’ careers (some contain famous faces, like Robin Williams’), the easy-flowing layout is eye-catching. Memorable analogies are used to explain key concepts; for example, building a scene is compared to constructing a house, brick by brick. Most intriguingly, the buoyant chapters end with examples from the authors’ own seasoned careers, such as the times they achieved “group mind,” which caused them to perform seamlessly with their partners. Quirky and lighthearted (at the end of the introduction, the authors proclaim, “Read on, MacDuff”), this lively romp through the improv world is accessible for both high school and adult readers.

A colorful, spirited gem for aspiring actors or groups looking to improve teamwork.

Pub Date: Dec. 13, 2014

ISBN: 978-1-5115-4453-5

Page Count: 150

Publisher: CreateSpace

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: March 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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