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JAZZ ON THE BARBARY COAST

Originally published in a limited edition in England in 1982, this is an interesting history of early jazz in San Francisco, written by a buff whose previous book was a well-regarded biography of New Orleans jazz pioneer Pops Foster. (In fact, Stoddard’s Foster biography won an award from ASCAP in 1972.) At the turn of the century, San Francisco was, as they say, a wide-open town, nowhere more so than in its notorious Barbary Coast district. The Coast was a slender strip of whorehouses, bars, opium dens, and other dives that included among its more sinister attractions an assortment of live music. It was there, Stoddard contends, that jazz had its first flowering on the West Coast, an efflorescence as worthy of recollection as the more famous birth pangs in New Orleans (another wide-open coastal city). Fueled by migrants from the Crescent City, the San Francisco music scene evolved in the first two decades of this century; Stoddard preserves herein the memories of several participants, most notably pianist and bandleader Sid LeProtti and sax player Reb Spikes. LeProtti, who played on the Coast from 1906 until it was cleaned up in 1921, was a delightfully colorful talker whose story is sprinkled with fisticuffs, shootings, and other amusing sidelights from this lost era. Unfortunately, it’s nearly impossible to gauge the accuracy of Stoddard’s claims for the musicians he profiles here; there’s little analytical talk of the music itself in either the oral histories that make up most of the volume or the historical chapters with which the author closes. Moreover, recordings of these men are few in number and hard to find. As a collection of evocative anecdotes, an often pleasant read, but as music history, this is at best tantalizingly suggestive but hardly informative. (30 b&w photos, not seen)

Pub Date: July 15, 1998

ISBN: 0-890771-04-X

Page Count: 240

Publisher: Heyday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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