A lyrical and realistic study of innocence lost.
Youngsters sometimes confront this hard world too soon, coming away scarred or stronger. In Wright’s debut literary fiction, teenage James Bonham meets evil one summer.
In an era when The Doors are on the radio and fans believe Elvis has grown too fat, James discovers his cousin, Lee Ann, on his grandmother’s doorstep, nearly frozen and shocked into muteness. James, his father dead, lives with Gram. His mother, Leah, had moved them from Jacksboro, Texas, to Dallas, only to take up with a boyfriend, Jack, who fancied himself a boxer and used James as a practice punching bag. James and Lee Ann (daughter of Leah’s sister, Rachel, and known as L.A. to the family) are almost the same age, old enough to drive, and great friends who are protective of one another. Wright’s gift is superb characterization. Churchgoing Gram is firm, loving, accepting and solidly independent. Gram’s dear friend Dr. Kepler taught at Southern Methodist but lost all faith when her family was sent to Hitler’s ovens. Incidental characters sparkle, like Colossians Odell, a half-mad, street-dwelling basso profundo, and Froggy, neighborhood store clerk. L.A., “something hard and dangerous in her eyes,” has been sexually abused by her father, Cam. That damage, and the childhood abuse of Rachel and Leah that still echoes, play out against the murders of three teenage girls. One body, mutilated and staged, is discovered by L.A. and James. Other threads blend into the complex narrative. James desperately wants Diana Chamfort, whose father, Don, is a Dallas police lieutenant leading the murder investigation. James’ friend, Dee, a “gentle boy” with artistic talent, is relegated to military school with tragic results. Told from James’ point of view, the story moves along believably as James is confused and overwhelmed by family crises, danger from the serial killer and his sexual desire for Diana, only to ultimately learn: “Maybe the big plan didn’t call for people being entitled to explanations.”
A lyrical and realistic study of innocence lost.Pub Date: June 4, 2012
ISBN: 978-1-455-15895-9
Page Count: 288
Publisher: Norton
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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