The man in the moon—Moon Man—"curled up in his shimmering seat in space" yearns to Join the fun on earth. He catches the tail of a passing comet which frightens the night creatures as it crashes and brings soldiers speeding to defend the earth (and the ice cream man to sell to the spectators). The pale, soft creature in the crater is called an invader and thrown in Jail. One night as he wonders at his cruel treatment, the Moon Man notices that his left side has faded. "Why, I must be in my third quarter," he thinks happily. Every night as the moon grows thinner, so does he, until he is able to squeeze through the bars of his window. But his freedom is brief: chased by the police again, Moon Man comes upon an ancient Castle where a long-forgotten scientist is perfecting a spacecraft to reach the moon. Realizing that he can never live peacefully, on earth, Moon Man agrees to be the first passenger. Now that the space-craft has been launched successfully, Herr Doktor receives his delayed recognition; now that he has satisfied his curiosity, the Moon Man remains "ever after curled up in his shimmering seat in space." The contrast between the Moon Man, a foreshortened Uncle Fester, wistful and appealing and immaterial, and the stridency and stupidity of his tormentors' is exploited by the bright, galloping illustrations, as effective as any Tomi Ungerer has done. This has some of the sting of Dr. Strange-love—but tenderized, the contemporary charisma of Where the Wild Things Are: it's great.
Pub Date: March 1, 1967
ISBN: 0714855987
Page Count: 40
Publisher: Harper & Row
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: March 1, 1967
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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