Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

WHAT MAKES FERN CURL?

An appealing story for anyone who’s struggled with curly hair.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A girl learns about her curly hair in Baker’s picture book.

On a hike with her dad, Jem notes that her hair resembles fiddlehead ferns, so she decides to call it Fern: “Jem liked having a name for her hair, especially since Fern has a mind of her own.” On school picture day, Jem styles her hair into a tight bun, but it’s humid out, and her hairstyle frizzes. She cries to her dad, who admits he doesn’t know how to style Jem’s hair, because her mom, whom they both miss, always did that. (Jem and her mom are portrayed with different shades of brown skin, and her father with pale skin.) Daddy brings her to Sage’s salon, where the stylist explains what hair is made of, why it’s straight or curly, and how to care for curly strands. Sage sends Jem home with hair cream, a sleep bonnet, and beautiful, supple curls. Interesting facts about curly hair close the book. Baker tells a wonderfully compassionate and sweet-natured story about how learning more about how our bodies work, and how to care for them, can make a tremendous difference in how we feel about ourselves. Fadhilah’s soft, colorful illustrations are an absolute delight—beautiful, engaging, and informative while showing Jem’s hair in all of its states.

An appealing story for anyone who’s struggled with curly hair.

Pub Date: Jan. 24, 2026

ISBN: 9798993696416

Page Count: 26

Publisher: Bobiiko Books

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: May 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

Next book

HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Close Quickview