The story will resonate with those on both sides of the debate about the role of youth football in society, and the unusual...
A young athlete lies in a coma while his family and community try to determine the cause of his injury.
Thirteen-year-old Teddy Youngblood collapsed following an intense football practice. At first, the focus is on his injury and the concerns of his family and friends for his recovery. Counselors are brought in to help them with the trauma. The coach’s daughter, Camille, makes a social media page to encourage positive thoughts, but some of the posters hint that something other than a tough hit at practice caused his injury. The doctors encourage family and friends to talk to Teddy, and readers learn much through these comments. Teddy’s family is at odds. His mother, who lives apart, did not want her son to play football, while his dad supported his sports involvement. Also interspersed are Teddy’s thoughts as he lies in the hospital: “This is what life is / Life is football / Football is life.” This nontraditional narrative, using conversations, interview transcripts, text messages, hospital reports, and other documents, skillfully peels back the elements of the mystery. The issues of football’s violence are presented, but the book’s real strength is the depiction of the culture behind it. There are few descriptions to indicate the ethnic makeup of the characters (Teddy’s eyes are described as blue), implying the white default.
The story will resonate with those on both sides of the debate about the role of youth football in society, and the unusual storytelling technique sets it apart from most sport fiction. (Fiction. 10-14)Pub Date: Sept. 11, 2018
ISBN: 978-1-4197-3143-3
Page Count: 304
Publisher: Amulet/Abrams
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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