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THE MIME

A sincere and lyrical otherworldly tale of family and formidable pluck.

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In Tutalo’s fantasy novel, a young girl faces off against a nefarious magician who’s trapped her in a dream world of his own design.

Eleven-year-old Florina hasn’t spoken since she lost her parents. In fact, she hardly communicates at all, much to the chagrin of school bullies, her grumpy teacher, and even Señora Mochado, the woman who took the girl in. Florina is ecstatic when she comes across a journal belonging to her father, Manolo. He and Florina's mother, Marisol, had been street performers—a mime and his singing muse—in Oaxaca, Mexico, where Florina still lives. Also among her dad’s things is an object coveted by a diabolical illusionist; once he gets it, he completes a magic spell that smashes reality and dreams together. Florina winds up in a “deep slumber” and awakens stuck inside a dream, with the city in ruins. It’s the Trickster’s world—he’s stolen artists’ and performers’ talents to ensure he has the best act in all of Mexico. The tween girl finds her voice and traverses a dark world of shadow creatures, with the Trickster always watching. A band of allies slowly forms, including a mime who’s lost his voice, a musician whose audiences boo him off the stage, and the assistant to an inexplicably missing performer. The Trickster challenges Florina to a game in which he’ll surely live up to his name and attempt to fool her. With luck and perseverance, however, Florina could win—and possibly right all the wrongs he’s done and return the purloined talents and voices to their rightful owners.

Tutalo’s story is not without its dour moments—nearly everyone berates Florina for her “selective mutism,” and the buildings in the dream-version of Oaxaca are sadly “disheveled and covered with debris.” Nevertheless, the vibrant cast brightens the general gloom. The supporting characters include, among myriad others, death-defying acrobatic brothers Piddle Pat Dee and Tittle Tat Dee; the mysterious Tarot card reader, Valentina; and Sandro Socorro, a “lanky, grungy tramp-dressed puppeteer” who is one of the first people to show Florina kindness. Several characters, including a villain, boast enthralling backstories, complete with “meet cutes” and origins for their various acts. The narrative, with shades of both Lewis Carroll’s Alice in Wonderland and Edgar Allan Poe’s macabre works, takes readers through a harrowing adventure of magical menaces, seemingly natural perils, and potentially dangerous mechanical things. The theme of finding one’s voice, be it literal or metaphorical, truly drives the novel and demonstrates how powerful even just one voice can be. All of this is relayed via the author’s crisp, sublimely fluid prose: “Inside the wide, vast theater, beams of moonlight shone in through the gaps and openings in the cathedral-like high ceiling… As Florina walked down the aisle toward the stage, she wrapped her arms around herself and peered back over her shoulder.” Sánchez’s digital black-and-white illustrations offer elegant depictions of such sights as Florina’s parents on stage, a shadowy encounter in the woods at night, and the ever-increasing cast of motley characters.

A sincere and lyrical otherworldly tale of family and formidable pluck.

Pub Date: March 20, 2022

ISBN: 9780578840680

Page Count: 373

Publisher: Self

Review Posted Online: Nov. 6, 2023

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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