by Tommy Tutalo ‧ RELEASE DATE: Aug. 29, 2017
An often enthralling tale of how a strong family can withstand anything.
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Tutalo’s debut novel follows an undocumented Mexican immigrant who becomes entangled with a crime syndicate in order to survive in America with her young daughter.
To escape poverty in Mexico, Gabriela makes some hard choices. She begins her life in the United States as a drug mule, forced to pay off a debt to her drug trafficker boss, Salas, who punishes her for minor offenses, including tardiness. Gabriela eventually gets her own apartment in New Jersey, but she’s unable to hold a job, and, later, she becomes pregnant. She unfortunately receives assistance from Don Fernandez, a high-ranking official for Nada Mas, a criminal organization tied to drug running, human trafficking, and a pedophilia ring. She eventually manages to get out from under Fernandez’s thumb, which requires her to steal a few incriminating documents. She raises her daughter, Sarita, in solitude and the relative safety of the Garden State, but after some time, Fernandez and associates track her down, abduct her, and send her back to Mexico. Consequently, Sarita seeks help from a reclusive neighbor and struggling artist named Dante. He comes with his own bundle of problems, though, including an association with Bella Notta, a powerful man who blames him for his daughter Lola’s “loss of innocence.” Once it’s clear that Fernandez has sent people to eliminate Sarita, she and Dante flee, and the FBI is soon hot on their trails. Special Agents Alec D. Donovan and William W. Walsh not only uncover information about Dante, they also suspect that he kidnapped Sarita. Meanwhile, Dante and Sarita fight to stay alive. Tutalo’s story is epic in scale and set over quite a long period, starting with Gabriela as a little girl in Mexico and ending with an adult Sarita discovering her mother’s journals. Tutalo skillfully maps it all out in a nonlinear narrative, clearly establishing each scene even as the story bounces between different points in time. It maintains a consistent sense of momentum throughout, aided by short chapter lengths. Gabriela is appealing from the start, as when she helps a mother and child as they dash across the U.S.–Mexico border, disregarding the possibility that she could be captured herself. There are some touching moments, especially involving Gabriela and Sarita, but also a good amount of violence. One brutal attack against Gabriela, for example, is particularly alarming due to its suddenness and randomness. However, this pales in comparison to a later scene involving Dante and a secret room with chains, medical instruments, and much worse. Tutalo’s metaphors are occasionally too conspicuous; Gabriela, for example, has scars from cigarette burns, courtesy of Salas, which the author unnecessarily connects to an “emotional stain” and “darker time from Gabriela’s past.” Nevertheless, in many other instances, the lavish descriptions linger: “Everything that had once been was now forever gone, and everything that might be was now a blank canvas waiting to be painted.” And despite the book’s bouts of gloom, there’s an unmistakable message of hope that never fades.
An often enthralling tale of how a strong family can withstand anything.Pub Date: Aug. 29, 2017
ISBN: 978-0-692-92245-3
Page Count: 578
Publisher: CreateSpace
Review Posted Online: Feb. 23, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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by Tommy Tutalo ; illustrated by María Gabriela Guevara Sánchez
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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