In the darkest hour of the American withdrawal from Vietnam, a slow-horse newspaperman fights to rescue the niece whose existence he's just discovered—in this swift-moving tale from Navajo chronicler Hillerman (Sacred Clowns, 1993, etc.). The scene is familiar: the abrupt American departure in April 1975, followed within days by the fall of the Republic of Vietnam, the brutal ethnic cleansing in Cambodia by Poi Pot's Khmer Rouge, and the chaos that turns inoffensive villagers into refugees, fleeing the countryside with the Americans and the ARVN. But the hero swimming against this tide is new to the scene, and so is his author, whose bestselling novels about Lt. Joe Leaphorn and Det. Jim Chee hardly prepare for his most unheroic hero yet: portly, balding Malcolm "Moon" Mathias, whose life as managing editor of a third-rate Colorado daily is suddenly put on hold when his mother collapses en route to Manila and a search through her papers reveals that Moon's kid brother, Ricky, a hotshot civilian flier, left an infant daughter when he and his Vietnamese wife were killed in a helicopter crash. As Moon and the motley companions who cluster around him—Lum Lee, the elderly friend and "business associate" of Ricky's in search of a missing consignment from the helicopter; Osa van Winjgaarden, who's trying to rescue her brother from the martyrdom he's been thirsting for; George Rice, the pilot who didn't fly Ricky's daughter, Lila Vinh, out as planned; and Nguyen Nung, the ARVN deserter with "Kill Cong" tattooed on his chest—descend into the heart of the Mekong darkness, Hillerman exults in the swift geographical trajectory open to him outside the Navaho reservation. At the same time, it's clear why the novel isn't called Finding Lila Vinh: Moon's journey is also very much one into the past, and into the nonentity he's chosen all these years to be. A familiar tale, movingly told by a surprising voice.
Pub Date: Oct. 25, 1995
ISBN: 0-06-017772-1
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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