Legendary Lt. Joe Leaphorn has finally retired from the Navajo Tribal Police, but that doesn't keep him away when a skeleton is found on a remote ledge of the spectacular 1700-foot-high Shiprock, a mountain sacred to the Navajo. Leaphorn tells Acting Lt. Jim Chee that the skeleton could be the remains of Harold Breedlove, the ranching heir who went missing during a trip he and his wife Elisa were taking in the area 11 years ago, days after the 30th birthday that brought him into the proceeds of his family trust fund. It's not easy for Chee to focus on the case, since his boss, under pressure from New Mexico brand inspector Dick Pfaff to catch the cattle rustler Pfaff calls Zorro, is more interested in Chee's checking the Breedlove spread—now run by Elisa's tree-hugging brother Eldon DeWitt—for stolen livestock. But the shooting of elderly Amos Nez, the Breedloves' guide on their fatal trip, convinces Leaphorn and Chee that the old case has suddenly roared to life—a hunch that's confirmed when Leaphorn is hired by Breedlove family attorney John McDermott (who just happens to be the treacherous former mentor and lover of Chee's fianc‚e Janet Pete) to investigate Breedlove's death, and the owner of the land around Shiprock is gunned down before Chee can talk to him. It'll take the combined ingenuity of irascible Leaphorn and contemplative Chee to spot the clue Leaphorn missed a decade ago—and their combined wisdom to figure out what to do with their knowledge. The autumnal 12th entry in this distinguished series is less complex and energetic than Sacred Clowns (1993), but Hillerman's legion of fans, impatient for a return to the reservation ever since the author's Vietnam novel, Finding Moon (1995), will likely find it irresistible.
Pub Date: Dec. 18, 1996
ISBN: 0-06-017773-X
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1996
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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