Enjoy it for the delicious, read-aloud text, but hide the illustrations.

READ REVIEW

LAUGH-OUT-LOUD BABY

Johnston captures the beauty of a baby’s first laugh and a family’s subsequent joy in this sweet celebration of one of life’s loveliest milestones.

On a crisp, winter’s day, a baby laughs. “That small spill of happiness / went rippling through the house— / a dazzle, a jazzle, a shine.” To share in this wondrous event, relatives and neighbors gather, but no amount of prompting can get this babe to giggle again. Later, with bellies full of food and conversation, “into a slot of silence… / ...rang a little mirthful sound,” causing more hilarity to ensue until the guests finally depart into the soft, falling snow. Tender and exuberant, playful and poignant, the text perfectly honors this merry occasion. Unfortunately, Gammell’s uniformly chaotic artwork is a poor match. Almost the full color spectrum is represented in each spread, with black used mainly to delineate shapes rather than shadows, thus hindering readers’ ability to perceive depth and focus. A few artistic choices also detract from the text, such as the baby’s derriere-exposing pants (cute the first time, but distracting the fourth); the needless sloppiness of the guests (spilled dishes and drinks); and a reappearing “LOL” sign (when other indicators point to an era gone by). Moreover, despite the author's note on the Navajo First Laugh Ceremony, there are no appropriate ethnic elements in the illustrations.

Enjoy it for the delicious, read-aloud text, but hide the illustrations. (Picture book. 3-8)

Pub Date: Sept. 4, 2012

ISBN: 978-1-4424-1380-1

Page Count: 32

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: June 27, 2012

Kirkus Reviews Issue: July 15, 2012

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Sincere and wholehearted.

I PROMISE

The NBA star offers a poem that encourages curiosity, integrity, compassion, courage, and self-forgiveness.

James makes his debut as a children’s author with a motivational poem touting life habits that children should strive for. In the first-person narration, he provides young readers with foundational self-esteem encouragement layered within basketball descriptions: “I promise to run full court and show up each time / to get right back up and let my magic shine.” While the verse is nothing particularly artful, it is heartfelt, and in her illustrations, Mata offers attention-grabbing illustrations of a diverse and enthusiastic group of children. Scenes vary, including classrooms hung with student artwork, an asphalt playground where kids jump double Dutch, and a gym populated with pint-sized basketball players, all clearly part of one bustling neighborhood. Her artistry brings black and brown joy to the forefront of each page. These children evince equal joy in learning and in play. One particularly touching double-page spread depicts two vignettes of a pair of black children, possibly siblings; in one, they cuddle comfortably together, and in the other, the older gives the younger a playful noogie. Adults will appreciate the closing checklist of promises, which emphasize active engagement with school. A closing note very generally introduces principles that underlie the Lebron James Family Foundation’s I Promise School (in Akron, Ohio). (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 15% of actual size.)

Sincere and wholehearted. (Picture book. 4-8)

Pub Date: Aug. 11, 2020

ISBN: 978-0-06-297106-7

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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