Instructional in meditative practices; unmindful of its cultural context.

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THE POTTER'S BOY

Ryo, a young adolescent in a bygone Japan, embarks on a mindful journey of self-discovery.

Ryo is listless in his pottery apprenticeship under his father, a renowned artist. He is intrigued when he witnesses Akio, a monk, skillfully defeat a band of “brigands” threatening his village. Inspired, he follows the monk’s advice to seek the hermit Unzen in the mountains to initiate his martial arts training. After mentoring him, Unzen introduces him to the Hidden Ones, a vigilante group that trains in all forms of self-defense and mindfulness practices at their camp in the mountains. There, Ryo is teamed with three other students to sharpen his skills for their first mission. When disaster strikes, Ryo finds his training put to the real test to overcome not only physical, but mental obstacles in order to survive. Mindfulness is the book’s major theme, with poetic interludes of mindfulness practice interspersed throughout the text. Unfortunately, there are cultural blunders. References to flying winged dragons ignore traditional Japanese depictions of wingless water-based creatures. Japanese greetings and commands are misused in social interactions. Both the introduction of the concept of yin and yang and portrayals of varying martial arts styles evoke images from other Asian countries. Regrettably, these missteps uproot the story.

Instructional in meditative practices; unmindful of its cultural context. (Fantasy. 9-12)

Pub Date: Feb. 26, 2019

ISBN: 978-1-338-28539-0

Page Count: 256

Publisher: David Fickling/Scholastic

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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This pitch-perfect contemporary novel gently explores the past’s repercussions on the present

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AS BRAVE AS YOU

Eleven-year-old Brooklynite Genie has “worry issues,” so when he and his older brother, Ernie, are sent to Virginia to spend a month with their estranged grandparents while their parents “try to figure it all out,” he goes into overdrive.

First, he discovers that Grandpop is blind. Next, there’s no Internet, so the questions he keeps track of in his notebook (over 400 so far) will have to go un-Googled. Then, he breaks the model truck that’s one of the only things Grandma still has of his deceased uncle. And he and Ernie will have to do chores, like picking peas and scooping dog poop. What’s behind the “nunya bidness door”? And is that a gun sticking out from Grandpop’s waistband? Reynolds’ middle-grade debut meanders like the best kind of summer vacation but never loses sense of its throughline. The richly voiced third-person narrative, tightly focused through Genie’s point of view, introduces both brothers and readers to this rural African-American community and allows them to relax and explore even as it delves into the many mysteries that so bedevil Genie, ranging from "Grits? What exactly are they?" to, heartbreakingly, “Why am I so stupid?” Reynolds gives his readers uncommonly well-developed, complex characters, especially the completely believable Genie and Grandpop, whose stubborn self-sufficiency belies his vulnerability and whose flawed love both Genie and readers will cherish.

This pitch-perfect contemporary novel gently explores the past’s repercussions on the present . (Fiction. 9-12)

Pub Date: May 3, 2016

ISBN: 978-1-4814-1590-3

Page Count: 432

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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