by Tonya Bolden ‧ RELEASE DATE: Feb. 1, 1998
Bolden's Book of African-American Women (1996, not reviewed) covered 150 ``crusaders, creators, and uplifters''; this one presents a handful of such stalwarts in chapter-length biographies: Ellen Craft, Charlotte Forten GrimkÇ, Mary Fields, Ida B. Wells, and Mary McLeod Bethune from earlier generations; Clara Hale, Leontyne Price, Toni Morrison, Mae C. Jemison, and Jackie Joyner- Kersee of the present century. Bolden has a knack for succinctly providing just enough context to allow readers to comprehend the significance of the women's accomplishments. Some chapters are livelier than others, simply because several of these women made their most important contributions through long years of organizing, fund-raising, speaking, and writing, and their stories are not as inherently dramatic as those of fugitive Ellen Craft or the salty Mary Fields. Although she is given to hyperbole (the Rockies are not ``many miles'' high), clichÇs (``It was now or never'' and ``they were stopped dead in their tracks''), and awkward constructions (``Like many enslaved women, forced labor and beatings were not the worst violation of body and spirit that Maria had to endure''), Bolden is passionate about these women and about making readers familiar with their accomplishments. She includes capsule biographies of 21 other African-American women, a selected bibliography, and a detailed index. (b&w photos) (Biography. 10-14)
Pub Date: Feb. 1, 1998
ISBN: 0-590-48080-4
Page Count: 216
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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