The too-simple resolution and final act of revenge blunt the impact of the story’s message.
Joe’s gift of matching hats, one pink, one purple, both sporting a heart design, heart tassels and pompoms, and reading “Best Friends” across the front, is pretty embarrassing. But is it worth throwing away a friendship?
The teasing starts subtly—a “Ha!” here, a “Hee, hee” there. But then Matt outright tells her, “Olive, you look silly in that hat!” Olive’s attempts to avoid wearing Joe’s gift also start subtly: She’s not sure it’s hat weather; she doesn’t want to lose it. But Joe reassures her it’s an all-occasion hat that “won’t ever fall off.” She even tries hiding, but she’s found. With more footsteps approaching, she just can’t take it and tries lots of ways to hide/rid herself of the hat. But they’re Joe’s footsteps, and she can’t hide the fact that his well-intended gift has been stuffed in the garbage. Feeling terrible, she wears a sandwich board advertising their friendship, trash-stained hat perched atop her head. Amid the others’ teasing, all is seemingly forgiven as the cat and turtle duo walk off the final page hand in hand, the back of Olive’s sandwich board reading, “And Matt is silly!” Freeman depicts his diverse animal cast against white backgrounds, allowing their facial expressions to speak volumes. But while readers will no doubt empathize with both Joe and Olive, the ending is too neat—there’s not even an apology.
The too-simple resolution and final act of revenge blunt the impact of the story’s message. (Picture book. 4-8)Pub Date: Oct. 28, 2014
ISBN: 978-0-7636-7406-9
Page Count: 32
Publisher: Templar/Candlewick
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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