“The Real Pooches of NYC.” Privileged professor’s pup Gulliver (who sometimes endures the attentions of well-meaning riffraff who address him as “Gully”) enjoys opera, Prime Premium dog food and his salmon-pink, turquoise-and-silver-studded collar. But when his owner shows a preference for a relationship of the human variety, Gully is sent to live in “shabby” Astoria, Queens, where he is treated like—well—a dog! The supercilious, lap-of-luxury Lhasa apso is devastated, but determined to escape. An unlikely and exhausting series of twists and turns doesn’t end with Gulliver’s dogicidal leap from the 59th Street Bridge, but with even more wild coincidence and a canine-interest story in the (sniff!) Daily News. Seidler’s tale is rife with the risk his characters often undertake in search of honest affection and their rightful places in life. The dog, the professor and Gulliver’s rescuer all come away with altered appreciations and aspirations. Cole’s remarkable pen-and-ink sketches evoke the work of French impressionists and add dimension, wit and wry humor to this far-fetched doggy tail—uh—tale. (Fantasy. 8-11)
Pub Date: Sept. 1, 2008
ISBN: 978-0-545-02506-5
Page Count: 192
Publisher: Michael di Capua/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
Dizzyingly silly.
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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