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CAMP JEFF

Reich comically airs out many grievances.

Sacred cows of all sorts are skewered by Reich in a broad satire of contemporary mores.

Gershon Gordon,  a “world famous literary powerhouse and public intellectual,” is a resident at Camp Jeff, a reeducation center for those who have found themselves implicated by the #MeToo movement—or caught in the hashtag, as Reich wryly puts it. The camp is named after its benefactor, the “good” Jeffrey Epstein, a cosmetics tycoon who refuses to let his name be ruined by the infamous bearer of the same name. Gershon’s own name is a refinement of his given name, George Gordon, also the name of Lord Byron as well as a Protestant who led riots against Catholics mentioned in Dickens. Slippery nomenclature is just one of many verbal sleights of hand Reich plays in her densely packed narrative of Gershon’s attempts to game the systems at Camp Jeff for his own purposes. The primary therapeutic method at Camp Jeff is Zoyaroyan Psychoempathy—named after one of at least three Zoyas playing a part in the novel—which allows Reich to take aim not only at sexual predators but at purveyors of sketchy self-help models. As the madcap plot unfolds, Reich explores themes of antisemitism, Jewish culture in America, and misogyny. At several points along the way to the novel’s apocalyptic resolution, she takes a deep dive into Talmudic studies, too. With the book taking place just before and during the earliest days of the Covid-19 pandemic, the mass hysteria and uncertainty surrounding that disruption comports nicely with the general tone of upheaval as old rules give way to the new. Stereotypes of many sorts—the stern nurse, the mousy female academic, the pederest priest—are present in the cast of characters Reich uses to make her point.

Reich comically airs out many grievances.

Pub Date: Oct. 29, 2024

ISBN: 9781644214213

Page Count: 256

Publisher: Seven Stories

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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NASH FALLS

Hokey plot, good fun.

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A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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