by Tove Ditlevsen ; translated by Michael Favala Goldman ‧ RELEASE DATE: April 19, 2022
Neurasthenic and melancholic but a central work of modern Danish literature.
A brooding collection of stories by the iconic Danish writer.
Ditlevsen, who died in 1976, was no stranger to misery: Addicted to drugs and alcohol, she was committed to psychiatric care several times. Many of the characters she depicts in this slender volume of stories could use professional care themselves. In the opening story, a young woman who “had never demonstrated a special talent of any kind” longs for just two things in life: a man and an umbrella. She attains the first, but the second is slower to arrive. “Sometimes she would lie awake next to Egon, or in her bed in the maid’s room in the house where she worked, nursing her peculiar dream of owning an umbrella,” writes Ditlevsen, and when the woman finally does pull the money together to buy an inexpensive bumbershoot, her enraged husband breaks it over his knee. There the story ends, and one can imagine the couple living miserably ever after. In another story, an aging woman despises any reminder that she will one day die yet introduces a prospective daughter-in-law to everyone in her family, the dead by way of photographs, knowing that one day she’ll be reduced to a few memories and a photo on her sewing table. A botched abortion here, an affair there, a child who, though only 7, “already possessed a great deal of formless anxiety,” a father considered nice only because he does not beat his children—these are the people and events that populate Ditlevsen’s unhappy world. About the only promise of redemption comes in the title story, in which a young woman who inhabits a dank corner of a tiny apartment with her parents, her father “completely superfluous in my mother’s world,” works herself through sheer will into a career as a writer. If this small, gloomy piece is a roman à clef, then Ditlevsen deserves every bit of the reader’s sympathy.
Neurasthenic and melancholic but a central work of modern Danish literature.Pub Date: April 19, 2022
ISBN: 978-0-3746-0560-5
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Tove Ditlevsen ; translated by Sophia Hersi Smith & Jennifer Russell
BOOK REVIEW
by Tove Ditlevsen ; translated by Tiina Nunnally & Michael Favala Goldman
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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