A penetrating biography of American painter Marsden Hartley, by Ludington (English and American Studies/Univ. of North Carolina; The Life of John Dos Passos, 1980). Ludington offers a psychological portrait of an intense, contradictory, scornful, but gentle man who transcended his 19th- century roots in Lewiston, Maine, to view Europe as his home and to make a distinctive contribution to modernism. ``His loneliness, his peripatetic nature, his ideas, and the subjects of his paintings all stemmed in part from his homosexuality,'' Ludington argues. Born in 1877 to an English cotton-spinner, Hartley was eight when his mother died—a lethal blow to ``his fragile ego.'' He worked in a shoe factory at age 16, then a marble quarry, moving to New York in 1899 to study art. Through Alfred Stieglitz's 291 gallery, Hartley eventually gained recognition and some success. Almost until his death in 1943, however, he was haunted by poverty and torn between rustic country and charged city, and then between Europe and America. Hartley fell under Germany's spell in 1913 as he found not only avant-garde culture but homosexual experience: Some of his strongest paintings are cubist arrangements of military symbols, inspired in part by a German soldier's death. Later, his passion for his new-found home let him rationalize Nazi oppression in ``murderously dangerous opinions.'' Ludington effectively quotes Hartley's letters, as when the artist speaks of failing to find ``the same convincing beauty'' of Kandinsky's theories in his own work, or of ``the child within me, namely the romanticist, albeit not perhaps a romance of love as of madness for the mountain.'' Though a recognized artist with works in the Museum of Modern Art, a despairing Hartley in 1935 destroyed over 100 paintings and drawings because he couldn't pay storage costs. In such details, Ludington keeps up the pace of the story—looking at the artist's ``mercurial'' inner life in far more depth than at his work. (Fifty-one b&w and 11 color photographs—not seen.)
Pub Date: March 10, 1992
ISBN: 0-316-53537-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1992
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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