An extraordinary, richly imagined coming-of-age story about a young Zora Neale Hurston, the long, cruel reach of slavery,...
A curse, the legacy of slavery, and a fight for justice collide in this fictionalized account of author Zora Neale Hurston’s childhood adventures, sequel to Simon’s Zora and Me, co-written with Victoria Bond (2010).
Twelve-year-old Zora Neale Hurston is as brave and adventurous as her best friend, Carrie Brown, is cautious. The year is 1903, and the girls live in Eatonville, Florida, the first incorporated all-black town in the U.S. Late one night, during an escapade, the girls discover their friend Mr. Polk injured outside his cabin. Mr. Polk is known to be mute, but to the girls’ surprise, he speaks—though not in English—to Old Lady Bronson, the town conjure woman, when she arrives to tend to his wounds. By night’s end, Zora has made a pact with the conjure woman, and she and Carrie find themselves embroiled in a half-century–old mystery involving an enslaved girl named Lucia. Through alternating chapters, narrated by Carrie in 1903 and Lucia in 1855, Lucia’s story and its connection to Zora and Carrie’s world come to light. Raw depictions of slavery and its aftermath provide important context as the Eatonville community’s resilience is tested in the face of injustice. The voices of Zora, Carrie, Lucia, and their families and friends make for powerful, unflinching storytelling, worthy to bear the name of a writer Alice Walker called a “genius” of African-American literature.
An extraordinary, richly imagined coming-of-age story about a young Zora Neale Hurston, the long, cruel reach of slavery, and the power of community. (biographical note, timeline) (Historical fiction. 10-14)Pub Date: Sept. 11, 2018
ISBN: 978-0-7636-4301-0
Page Count: 272
Publisher: Candlewick
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
An endearing protagonist runs the first, fast leg of Reynolds' promising relay.
Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.
His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.
An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5015-7
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
PROFILES
SEEN & HEARD
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