by Tracey Corderoy ; illustrated by Tony Neal ‧ RELEASE DATE: Sept. 1, 2018
A fresh, sweet way to explore the true meaning of Christmas and unexpected encounters.
A mistake and a chance encounter lead to an unlikely friendship.
Bear is settling down for a quiet, cozy Christmas reading by the fire, happy to be alone, when he hears a car horn outside. He opens the door to find an exuberant frog with luggage piled high, expecting a “Christmas EXTRAVAGANZA!” complete with a “supersonic sleigh ride.” A quick look at Frog’s upside-down map reveals that he’s on the opposite side of the world from his vacation destination. Bear kindly offers to let Frog stay with him, but the next day he realizes that he’ll have to think of creative alternatives to the activities in Frog’s brochure. They bake iced cookies to replace an “all-you-can-eat North Pole breakfast bar.” Who needs a singing Christmas tree when there’s a gigantic outdoor tree sparkling with real snow, its height emphasized by a vertical two-page spread. Best of all, viewing the northern lights from a hillside more than makes up for missing the gaudy light display at the hotel. The two characters, temperamental opposites, end up appreciating each other’s gift of friendship. The book’s large, square format gives ample room for cheery, expressive illustrations. Bear and Frog so obviously enjoy each other’s company that their differences fall away as they find the joy of newfound friendship.
A fresh, sweet way to explore the true meaning of Christmas and unexpected encounters. (Picture book. 3-6)Pub Date: Sept. 1, 2018
ISBN: 978-1-68010-102-7
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Tracey Corderoy ; illustrated by Sarah Massini
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by Drew Daywalt ; illustrated by Kevin Cornell
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
Awards & Accolades
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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