A very welcome series revival.
The early-aughts Pixie Tricks series, about using trickery to catch mischievous pixies, is back, lightly massaged, for a new generation of readers.
When her favorite marble is stolen by a toad, 8-year-old Violet Briggs’ pursuit leads her to an encounter with a fairy named Sprite. Sprite, a Royal Pixie Tricker, needs her help to find the 14 troublemaking fairies who escaped the Otherworld to make mayhem in Violet’s world. The first fairy they go after is fun-loving Pix, who makes even the most responsible adult abandon anything but the desire to play—forever! The ensuing chaos is delightfully funny, and Violet must use her brains to stop him. The fresh, friendly new illustrations of this edition factor heavily in the seamlessly child-centered book design. Besides breaking up the text with images (so as not to intimidate young readers with text blocks), the illustrations are thoughtfully placed to fit the exact moment they occur in the story, working exceptionally well when the art crosses a double-page spread. Just like the short chapters and simple vocabulary, the text blocks’ avoidance of hyphenated words at line ends or sentences that carry over to the next page keeps the book easily digestible for its emergent-reader audience. The inviting format and zany fun of the plot will leave readers excited for the next installment. Violet is White, and Sprite is green; human characters of color appear in the background.
A very welcome series revival. (questions and activities) (Fantasy. 6-9)Pub Date: Dec. 1, 2020
ISBN: 978-1-338-62778-7
Page Count: 96
Publisher: Scholastic
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
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